Voces plurales en la poesía de Piedad Bonnett
This article examines an essential part of the poetical work of the Colombian writer Piedad Bonnett, where the concept of ‘plural voices’ is combined with the term of ‘verbal bodies’. The analysis of several poems of his work, from her titles Ese animal triste (1996), Todos los amantes son guerre...
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| Format: | Article |
| Language: | Catalan |
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Fondazione Università Ca’ Foscari
2014-06-01
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| Series: | Rassegna Iberistica |
| Online Access: | http://doi.org/10.14277/2037-6588/81 |