Estéticas feministas contemporáneas (o de cómo hacer cosas con el cuerpo)

The present article anaylizes the core of the different contemporary feminist aesthetics in the light of Judith Butler’s concepts of body and performativity (I). In order to illustrate the internal evolution of these aesthetics I adopt an eminently chronological criteria: first, I make a look to the...

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Main Author: Jesús Adrián Escudero
Format: Article
Language:English
Published: Universidad Complutense de Madrid 2003-01-01
Series:Anales de Historia del Arte
Subjects:
Online Access:http://revistasculturales.ucm.es/index.php/ANHA/article/view/32416
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author Jesús Adrián Escudero
author_facet Jesús Adrián Escudero
author_sort Jesús Adrián Escudero
collection DOAJ
description The present article anaylizes the core of the different contemporary feminist aesthetics in the light of Judith Butler’s concepts of body and performativity (I). In order to illustrate the internal evolution of these aesthetics I adopt an eminently chronological criteria: first, I make a look to the discourse of identity of the 70’ elaborated by women artists as Judy Chicago or Miriam Shapiro (II); second, I tackle the discourse of difference of the 80’ through women so well known as Cindy Sherman or Barbara Kruger (III); and third, I undertake a short raid in the domains of the radical discourse of the 90’ represented by the diversal queer manifestations (IV). All this opens the possibility, in the frame of the new technological media, to think about the blurred frontiers between the real and the virtual body of women
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spelling doaj.art-038692e0561442c0b55943939e9c798e2022-12-21T18:51:52ZengUniversidad Complutense de MadridAnales de Historia del Arte0214-64521988-24912003-01-011328730532411Estéticas feministas contemporáneas (o de cómo hacer cosas con el cuerpo)Jesús Adrián EscuderoThe present article anaylizes the core of the different contemporary feminist aesthetics in the light of Judith Butler’s concepts of body and performativity (I). In order to illustrate the internal evolution of these aesthetics I adopt an eminently chronological criteria: first, I make a look to the discourse of identity of the 70’ elaborated by women artists as Judy Chicago or Miriam Shapiro (II); second, I tackle the discourse of difference of the 80’ through women so well known as Cindy Sherman or Barbara Kruger (III); and third, I undertake a short raid in the domains of the radical discourse of the 90’ represented by the diversal queer manifestations (IV). All this opens the possibility, in the frame of the new technological media, to think about the blurred frontiers between the real and the virtual body of womenhttp://revistasculturales.ucm.es/index.php/ANHA/article/view/32416cuerpodiferenciadiscursoidentidadmedios de comunicaciónnueva carneperformatividadqueer
spellingShingle Jesús Adrián Escudero
Estéticas feministas contemporáneas (o de cómo hacer cosas con el cuerpo)
Anales de Historia del Arte
cuerpo
diferencia
discurso
identidad
medios de comunicación
nueva carne
performatividad
queer
title Estéticas feministas contemporáneas (o de cómo hacer cosas con el cuerpo)
title_full Estéticas feministas contemporáneas (o de cómo hacer cosas con el cuerpo)
title_fullStr Estéticas feministas contemporáneas (o de cómo hacer cosas con el cuerpo)
title_full_unstemmed Estéticas feministas contemporáneas (o de cómo hacer cosas con el cuerpo)
title_short Estéticas feministas contemporáneas (o de cómo hacer cosas con el cuerpo)
title_sort esteticas feministas contemporaneas o de como hacer cosas con el cuerpo
topic cuerpo
diferencia
discurso
identidad
medios de comunicación
nueva carne
performatividad
queer
url http://revistasculturales.ucm.es/index.php/ANHA/article/view/32416
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