Differential automatons: history telling as cinematographic heterogenesis in Histoire(s) du cinema by Jean-Luc Godard
Histoire(s) du cinéma, Godard’s 90’s series on the history of cinema in the 20th century, has virtually infinite perceptions to be extracted from. Considering the specific editing effect of speed differentiation, which Godard uses to bring out hidden virtualities from the classic cinematographic ima...
Main Author: | Pablo Gonzalez Ramalho |
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Format: | Article |
Language: | English |
Published: |
ACT
2020-01-01
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Series: | La Deleuziana |
Online Access: | http://www.ladeleuziana.org/wp-content/uploads/2020/06/Gonzalez.pdf |
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