An Ecocritical Perspective of Arundhati Roy’s

This study is an ecofeminist reading of Arundhati Roy’s The God of Small Things focusing on how the novelist utilizes various techniques signaling modes of revolt of Nature in terms of the muted group theory and backchannel communication motifs. The novelist also apostrophizes Nature to blur dialect...

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Main Authors: Rukhaya M. Kunhi, Zeenath Mohamed Kunhi
Format: Article
Language:English
Published: SAGE Publishing 2017-06-01
Series:SAGE Open
Online Access:https://doi.org/10.1177/2158244017712767
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author Rukhaya M. Kunhi
Zeenath Mohamed Kunhi
author_facet Rukhaya M. Kunhi
Zeenath Mohamed Kunhi
author_sort Rukhaya M. Kunhi
collection DOAJ
description This study is an ecofeminist reading of Arundhati Roy’s The God of Small Things focusing on how the novelist utilizes various techniques signaling modes of revolt of Nature in terms of the muted group theory and backchannel communication motifs. The novelist also apostrophizes Nature to blur dialectical pairs. Cartesian dualism is extended to the culture/nature dichotomy. Roy encompasses the subaltern of the human race within the downtrodden, the predominant being the image of woman imprisoned in the presets of immanence. On another level, the author refers to animals and plants that required a voice that told the story of Nature or of innate instinct through the medium of human beings: an inverted form of apologues where the story of humans was told through animals. Symbiotic relationships of nature gather strength as they are foregrounded by Roy through relations of metaphor and metonymy exhibiting underlying principles of kinship. The survival instinct of the female characters is delineated through the language of ecology and emblematizes the dismantling of boundaries in the culture/nature dialectical pair.
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spelling doaj.art-039b89707eec4518b69ff3029e8c4d682022-12-21T20:40:50ZengSAGE PublishingSAGE Open2158-24402017-06-01710.1177/2158244017712767An Ecocritical Perspective of Arundhati Roy’sRukhaya M. Kunhi0Zeenath Mohamed Kunhi1Nehru Arts and Science College, Kanhangad, IndiaFarook College, Calicut, IndiaThis study is an ecofeminist reading of Arundhati Roy’s The God of Small Things focusing on how the novelist utilizes various techniques signaling modes of revolt of Nature in terms of the muted group theory and backchannel communication motifs. The novelist also apostrophizes Nature to blur dialectical pairs. Cartesian dualism is extended to the culture/nature dichotomy. Roy encompasses the subaltern of the human race within the downtrodden, the predominant being the image of woman imprisoned in the presets of immanence. On another level, the author refers to animals and plants that required a voice that told the story of Nature or of innate instinct through the medium of human beings: an inverted form of apologues where the story of humans was told through animals. Symbiotic relationships of nature gather strength as they are foregrounded by Roy through relations of metaphor and metonymy exhibiting underlying principles of kinship. The survival instinct of the female characters is delineated through the language of ecology and emblematizes the dismantling of boundaries in the culture/nature dialectical pair.https://doi.org/10.1177/2158244017712767
spellingShingle Rukhaya M. Kunhi
Zeenath Mohamed Kunhi
An Ecocritical Perspective of Arundhati Roy’s
SAGE Open
title An Ecocritical Perspective of Arundhati Roy’s
title_full An Ecocritical Perspective of Arundhati Roy’s
title_fullStr An Ecocritical Perspective of Arundhati Roy’s
title_full_unstemmed An Ecocritical Perspective of Arundhati Roy’s
title_short An Ecocritical Perspective of Arundhati Roy’s
title_sort ecocritical perspective of arundhati roy s
url https://doi.org/10.1177/2158244017712767
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