Heart is for Love: Cognitive Salience and Visual Metonymies in Comics

This article explores the role of conceptual proximity as a parameter of salience in visual metonymies. The study discusses visual metonymy as a type of conceptual metonymy understood as a way of referring to one concept (the target) via another concept (the vehicle; cf. Lakoff and Johnson 1980, Rad...

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Main Author: Hubert Kowalewski
Format: Article
Language:English
Published: Open Library of Humanities 2018-06-01
Series:The Comics Grid: Journal of Comics Scholarship
Subjects:
Online Access:https://www.comicsgrid.com/article/id/3570/
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author Hubert Kowalewski
author_facet Hubert Kowalewski
author_sort Hubert Kowalewski
collection DOAJ
description This article explores the role of conceptual proximity as a parameter of salience in visual metonymies. The study discusses visual metonymy as a type of conceptual metonymy understood as a way of referring to one concept (the target) via another concept (the vehicle; cf. Lakoff and Johnson 1980, Radden and Kövecses 1999). The vehicle and the target are connected through a contiguity relation salient in a given context. A formal framework is developed for describing such salient contiguities and the key hypothesis is that the salience effect is determined largely by the conceptual distance between the target and the vehicle within a network of available contiguity relations. For example, when a musical note (the vehicle) is used in graphic narrative to refer metonymically to a melody (the target), the note is selected for the vehicle, because there is low conceptual distance between the two concepts.
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spelling doaj.art-0437d35078ff4650bf4fa7b9567d9c182023-08-01T14:29:11ZengOpen Library of HumanitiesThe Comics Grid: Journal of Comics Scholarship2048-07922018-06-018010.16995/cg.117Heart is for Love: Cognitive Salience and Visual Metonymies in ComicsHubert Kowalewski0 This article explores the role of conceptual proximity as a parameter of salience in visual metonymies. The study discusses visual metonymy as a type of conceptual metonymy understood as a way of referring to one concept (the target) via another concept (the vehicle; cf. Lakoff and Johnson 1980, Radden and Kövecses 1999). The vehicle and the target are connected through a contiguity relation salient in a given context. A formal framework is developed for describing such salient contiguities and the key hypothesis is that the salience effect is determined largely by the conceptual distance between the target and the vehicle within a network of available contiguity relations. For example, when a musical note (the vehicle) is used in graphic narrative to refer metonymically to a melody (the target), the note is selected for the vehicle, because there is low conceptual distance between the two concepts.https://www.comicsgrid.com/article/id/3570/conceptual metonymyconceptual proximitycognitive semioticssalience in metonymyvisual metonymy
spellingShingle Hubert Kowalewski
Heart is for Love: Cognitive Salience and Visual Metonymies in Comics
The Comics Grid: Journal of Comics Scholarship
conceptual metonymy
conceptual proximity
cognitive semiotics
salience in metonymy
visual metonymy
title Heart is for Love: Cognitive Salience and Visual Metonymies in Comics
title_full Heart is for Love: Cognitive Salience and Visual Metonymies in Comics
title_fullStr Heart is for Love: Cognitive Salience and Visual Metonymies in Comics
title_full_unstemmed Heart is for Love: Cognitive Salience and Visual Metonymies in Comics
title_short Heart is for Love: Cognitive Salience and Visual Metonymies in Comics
title_sort heart is for love cognitive salience and visual metonymies in comics
topic conceptual metonymy
conceptual proximity
cognitive semiotics
salience in metonymy
visual metonymy
url https://www.comicsgrid.com/article/id/3570/
work_keys_str_mv AT hubertkowalewski heartisforlovecognitivesalienceandvisualmetonymiesincomics