Musical style of reception – a musical interpretant – musical form in literature

<span>The paper is concerned with reception strategies where interdisciplinary competencies are connected to musical expectations towards a text, which – i.a. because of metatextual suggestions – needs a musical explanation – “musical supplement”. The objective of the article is the musical an...

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Main Author: Aleksandra Reimann
Format: Article
Language:Polish
Published: Wydawnictwo Naukowe Uniwersytetu im. Adama Mickiewicza w Poznaniu 2012-01-01
Series:Przestrzenie Teorii
Subjects:
Online Access:http://pressto.amu.edu.pl/index.php/pt/article/view/3371
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author Aleksandra Reimann
author_facet Aleksandra Reimann
author_sort Aleksandra Reimann
collection DOAJ
description <span>The paper is concerned with reception strategies where interdisciplinary competencies are connected to musical expectations towards a text, which – i.a. because of metatextual suggestions – needs a musical explanation – “musical supplement”. The objective of the article is the musical and literary dialog, which belongs to intermediality (definition by W. Wolf), and intertextuality in the large sense as well. Although the penetration of musical and literary correspondence does not threaten “scientist hysteria”, it also does not promise fruitful strategies and satisfactory conclusions. The paper includes terminological proposals which are an attempt at universal, semiotic transposition into musical and literary borderland, which in the practice of interpretation has too eclectic, and mostly one-time solutions.</span>
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last_indexed 2024-12-16T07:31:25Z
publishDate 2012-01-01
publisher Wydawnictwo Naukowe Uniwersytetu im. Adama Mickiewicza w Poznaniu
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spelling doaj.art-0472864d97974dd5984e6509463baaa12022-12-21T22:39:20ZpolWydawnictwo Naukowe Uniwersytetu im. Adama Mickiewicza w PoznaniuPrzestrzenie Teorii1644-67632450-57652012-01-011713916110.14746/pt.2012.17.93342Musical style of reception – a musical interpretant – musical form in literatureAleksandra Reimann<span>The paper is concerned with reception strategies where interdisciplinary competencies are connected to musical expectations towards a text, which – i.a. because of metatextual suggestions – needs a musical explanation – “musical supplement”. The objective of the article is the musical and literary dialog, which belongs to intermediality (definition by W. Wolf), and intertextuality in the large sense as well. Although the penetration of musical and literary correspondence does not threaten “scientist hysteria”, it also does not promise fruitful strategies and satisfactory conclusions. The paper includes terminological proposals which are an attempt at universal, semiotic transposition into musical and literary borderland, which in the practice of interpretation has too eclectic, and mostly one-time solutions.</span>http://pressto.amu.edu.pl/index.php/pt/article/view/3371literaturamuzykadialogintermedialnośćintertekstualność
spellingShingle Aleksandra Reimann
Musical style of reception – a musical interpretant – musical form in literature
Przestrzenie Teorii
literatura
muzyka
dialog
intermedialność
intertekstualność
title Musical style of reception – a musical interpretant – musical form in literature
title_full Musical style of reception – a musical interpretant – musical form in literature
title_fullStr Musical style of reception – a musical interpretant – musical form in literature
title_full_unstemmed Musical style of reception – a musical interpretant – musical form in literature
title_short Musical style of reception – a musical interpretant – musical form in literature
title_sort musical style of reception a musical interpretant musical form in literature
topic literatura
muzyka
dialog
intermedialność
intertekstualność
url http://pressto.amu.edu.pl/index.php/pt/article/view/3371
work_keys_str_mv AT aleksandrareimann musicalstyleofreceptionamusicalinterpretantmusicalforminliterature