Ornament and European Modernism: from art practice to art history

n the edited volume Ornament and European Modernism, Lorandi Vandi presents five essays that, taking ornament as a central point of departure, all examine in different ways the question of the dissociation between non-representational and representation art and the problem of the unity of art. The b...

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Main Author: Ariane Varela Braga
Format: Article
Language:English
Published: Department of Art History, University of Birmingham 2019-06-01
Series:Journal of Art Historiography
Subjects:
Online Access:https://arthistoriography.files.wordpress.com/2019/03/varelabraga_rev.pdf
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author Ariane Varela Braga
author_facet Ariane Varela Braga
author_sort Ariane Varela Braga
collection DOAJ
description n the edited volume Ornament and European Modernism, Lorandi Vandi presents five essays that, taking ornament as a central point of departure, all examine in different ways the question of the dissociation between non-representational and representation art and the problem of the unity of art. The book is thus not much so about ornament itself as the interpretation and meanings that have been given to ornament between the second-half of the 19th century and the early 20th century. Focusing as much on proto-Modernism as on Modernism itself, it provides an up-to-date reading of the approaches to ornament developed by historical key-figures, such as Owen Jones, Gottfried Semper, Wilhelm Worringer or Adolf Loos, besides examining the lesser known contribution of August Schmarsow and offering a new reading of Ernst Gombrich’s theory of perception.
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spelling doaj.art-049b48c394264b85a97bb310a7136fbd2022-12-21T23:05:32ZengDepartment of Art History, University of BirminghamJournal of Art Historiography2042-47522019-06-012020VB1Ornament and European Modernism: from art practice to art historyAriane Varela Braga 0University of Zurichn the edited volume Ornament and European Modernism, Lorandi Vandi presents five essays that, taking ornament as a central point of departure, all examine in different ways the question of the dissociation between non-representational and representation art and the problem of the unity of art. The book is thus not much so about ornament itself as the interpretation and meanings that have been given to ornament between the second-half of the 19th century and the early 20th century. Focusing as much on proto-Modernism as on Modernism itself, it provides an up-to-date reading of the approaches to ornament developed by historical key-figures, such as Owen Jones, Gottfried Semper, Wilhelm Worringer or Adolf Loos, besides examining the lesser known contribution of August Schmarsow and offering a new reading of Ernst Gombrich’s theory of perception.https://arthistoriography.files.wordpress.com/2019/03/varelabraga_rev.pdfornamentarchitecturePrimitivismModernismEnglandGermanyAustriaabstractionpsychology of perception
spellingShingle Ariane Varela Braga
Ornament and European Modernism: from art practice to art history
Journal of Art Historiography
ornament
architecture
Primitivism
Modernism
England
Germany
Austria
abstraction
psychology of perception
title Ornament and European Modernism: from art practice to art history
title_full Ornament and European Modernism: from art practice to art history
title_fullStr Ornament and European Modernism: from art practice to art history
title_full_unstemmed Ornament and European Modernism: from art practice to art history
title_short Ornament and European Modernism: from art practice to art history
title_sort ornament and european modernism from art practice to art history
topic ornament
architecture
Primitivism
Modernism
England
Germany
Austria
abstraction
psychology of perception
url https://arthistoriography.files.wordpress.com/2019/03/varelabraga_rev.pdf
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