Ornament and European Modernism: from art practice to art history
n the edited volume Ornament and European Modernism, Lorandi Vandi presents five essays that, taking ornament as a central point of departure, all examine in different ways the question of the dissociation between non-representational and representation art and the problem of the unity of art. The b...
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Format: | Article |
Language: | English |
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Department of Art History, University of Birmingham
2019-06-01
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Series: | Journal of Art Historiography |
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Online Access: | https://arthistoriography.files.wordpress.com/2019/03/varelabraga_rev.pdf |
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author | Ariane Varela Braga |
author_facet | Ariane Varela Braga |
author_sort | Ariane Varela Braga |
collection | DOAJ |
description | n the edited volume Ornament and European Modernism, Lorandi Vandi presents five essays that, taking ornament as a central point of departure, all examine in different ways the question of the dissociation between non-representational and representation art and the problem of the unity of art. The book is thus not much so about ornament itself as the interpretation and meanings that have been given to ornament between the second-half of the 19th century and the early 20th century. Focusing as much on proto-Modernism as on Modernism itself, it provides an up-to-date reading of the approaches to ornament developed by historical key-figures, such as Owen Jones, Gottfried Semper, Wilhelm Worringer or Adolf Loos, besides examining the lesser known contribution of August Schmarsow and offering a new reading of Ernst Gombrich’s theory of perception. |
first_indexed | 2024-12-14T10:43:56Z |
format | Article |
id | doaj.art-049b48c394264b85a97bb310a7136fbd |
institution | Directory Open Access Journal |
issn | 2042-4752 |
language | English |
last_indexed | 2024-12-14T10:43:56Z |
publishDate | 2019-06-01 |
publisher | Department of Art History, University of Birmingham |
record_format | Article |
series | Journal of Art Historiography |
spelling | doaj.art-049b48c394264b85a97bb310a7136fbd2022-12-21T23:05:32ZengDepartment of Art History, University of BirminghamJournal of Art Historiography2042-47522019-06-012020VB1Ornament and European Modernism: from art practice to art historyAriane Varela Braga 0University of Zurichn the edited volume Ornament and European Modernism, Lorandi Vandi presents five essays that, taking ornament as a central point of departure, all examine in different ways the question of the dissociation between non-representational and representation art and the problem of the unity of art. The book is thus not much so about ornament itself as the interpretation and meanings that have been given to ornament between the second-half of the 19th century and the early 20th century. Focusing as much on proto-Modernism as on Modernism itself, it provides an up-to-date reading of the approaches to ornament developed by historical key-figures, such as Owen Jones, Gottfried Semper, Wilhelm Worringer or Adolf Loos, besides examining the lesser known contribution of August Schmarsow and offering a new reading of Ernst Gombrich’s theory of perception.https://arthistoriography.files.wordpress.com/2019/03/varelabraga_rev.pdfornamentarchitecturePrimitivismModernismEnglandGermanyAustriaabstractionpsychology of perception |
spellingShingle | Ariane Varela Braga Ornament and European Modernism: from art practice to art history Journal of Art Historiography ornament architecture Primitivism Modernism England Germany Austria abstraction psychology of perception |
title | Ornament and European Modernism: from art practice to art history |
title_full | Ornament and European Modernism: from art practice to art history |
title_fullStr | Ornament and European Modernism: from art practice to art history |
title_full_unstemmed | Ornament and European Modernism: from art practice to art history |
title_short | Ornament and European Modernism: from art practice to art history |
title_sort | ornament and european modernism from art practice to art history |
topic | ornament architecture Primitivism Modernism England Germany Austria abstraction psychology of perception |
url | https://arthistoriography.files.wordpress.com/2019/03/varelabraga_rev.pdf |
work_keys_str_mv | AT arianevarelabraga ornamentandeuropeanmodernismfromartpracticetoarthistory |