Samplings musicales versus samples literarios
In recent years, terms from electronic music have been frequently used to describe practices of literary appropriation. One of these concepts is sampling, which has also been generally applied to other artistic disciplines. I’m interested, however, in highlighting specific aspects of sampling as it...
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| Format: | Article |
| Language: | English |
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Pontificia Universidad Católica de Chile
2015-06-01
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| Series: | Resonancias |
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| Online Access: | https://resonancias.uc.cl/n-36/samplings-musicales-versus-samples-literarios/ |
| _version_ | 1797448777176449024 |
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| author | Felipe Cussen |
| author_facet | Felipe Cussen |
| author_sort | Felipe Cussen |
| collection | DOAJ |
| description | In recent years, terms from electronic music have been frequently used to describe practices of literary appropriation. One of these concepts is sampling, which has also been generally applied to other artistic disciplines. I’m interested, however, in highlighting specific aspects of sampling as it is understood in the field of electronic music, and particularly the considerations of Mark Katz, who states that this procedure corresponds to a form of “performative” quote. From there I propose an analysis of a series of works of visual poetry and sound poetry that corresponds to this form of appropriation, for they are based on the direct manipulation of the materiality of language and its media. This comparison, in my opinion, allows the arousal of new questions about the status of literature. |
| first_indexed | 2024-03-09T14:16:20Z |
| format | Article |
| id | doaj.art-049d0651387246ef92912258603918d1 |
| institution | Directory Open Access Journal |
| issn | 0717-3474 0719-5702 |
| language | English |
| last_indexed | 2024-03-09T14:16:20Z |
| publishDate | 2015-06-01 |
| publisher | Pontificia Universidad Católica de Chile |
| record_format | Article |
| series | Resonancias |
| spelling | doaj.art-049d0651387246ef92912258603918d12023-11-29T01:29:18ZengPontificia Universidad Católica de ChileResonancias0717-34740719-57022015-06-011936112510.7764/res.2015.36.2Samplings musicales versus samples literariosFelipe Cussen0Instituto de Estudios Avanzados, Universidad de Santiago de ChileIn recent years, terms from electronic music have been frequently used to describe practices of literary appropriation. One of these concepts is sampling, which has also been generally applied to other artistic disciplines. I’m interested, however, in highlighting specific aspects of sampling as it is understood in the field of electronic music, and particularly the considerations of Mark Katz, who states that this procedure corresponds to a form of “performative” quote. From there I propose an analysis of a series of works of visual poetry and sound poetry that corresponds to this form of appropriation, for they are based on the direct manipulation of the materiality of language and its media. This comparison, in my opinion, allows the arousal of new questions about the status of literature.https://resonancias.uc.cl/n-36/samplings-musicales-versus-samples-literarios/samplingliterary appropriationvisual poetrysound poetryelectronic music |
| spellingShingle | Felipe Cussen Samplings musicales versus samples literarios Resonancias sampling literary appropriation visual poetry sound poetry electronic music |
| title | Samplings musicales versus samples literarios |
| title_full | Samplings musicales versus samples literarios |
| title_fullStr | Samplings musicales versus samples literarios |
| title_full_unstemmed | Samplings musicales versus samples literarios |
| title_short | Samplings musicales versus samples literarios |
| title_sort | samplings musicales versus samples literarios |
| topic | sampling literary appropriation visual poetry sound poetry electronic music |
| url | https://resonancias.uc.cl/n-36/samplings-musicales-versus-samples-literarios/ |
| work_keys_str_mv | AT felipecussen samplingsmusicalesversussamplesliterarios |