Discrepancy between Era and Writing: A Critical look at “Christine and Keed’’
For a long time, the development of artistic creative paradigms has not been necessarily simultaneous with the emerging social changes in Iranian society. In spite of the fact that the emergence of Iranian novels was due to the social changes, novel is generally considered to be an imported literary...
| Main Authors: | , |
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| Format: | Article |
| Language: | fas |
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Allameh Tabataba'i University Press
2015-11-01
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| Series: | Matn/Pizhūhī-i Adabī |
| Subjects: | |
| Online Access: | https://ltr.atu.ac.ir/article_2184_842e65b6abecb88229f3d0c74cd8d62f.pdf |
| _version_ | 1797375980023578624 |
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| author | Esmat Esmaeili Seyyed Razzagh Razavian |
| author_facet | Esmat Esmaeili Seyyed Razzagh Razavian |
| author_sort | Esmat Esmaeili |
| collection | DOAJ |
| description | For a long time, the development of artistic creative paradigms has not been necessarily simultaneous with the emerging social changes in Iranian society. In spite of the fact that the emergence of Iranian novels was due to the social changes, novel is generally considered to be an imported literary genre rather than a traditional Iranian trend, which found its way into the system of Persian literature mainly as a result of translation. Moreover, the principles of modern aesthetics have not been in tune with the accepted norms of Iranian literary community. The novel "Christine and Keed" By H. Golshiri due to its unintelligible content and form and lack of social themes is considered by many critics to be missing a natural and logical continuation of his era’s writing, which has deviated from the coordinated norms of literary community. More clearly, Iranian novel has been an imitation of western literary works in terms of form and figures of speech and the context of the story has not been a product of real situational and social contexts in Iran. This discrepancy caused the novel not to be generally favored among its readers and critics at the time of its publication. However, several decades after the publication, it was faced with a relative acceptance by its readers and critics because of the advances in criticism and literary theories, innovative experiences in fiction, and writers’ passion for modern and progressive movements. This paper aims at providing an innovative explanation of this novel based on the principles of Nouveau. |
| first_indexed | 2024-03-08T19:32:03Z |
| format | Article |
| id | doaj.art-04bf2942e6c44ff3a0c95300343e643d |
| institution | Directory Open Access Journal |
| issn | 2251-7138 2476-6186 |
| language | fas |
| last_indexed | 2024-03-08T19:32:03Z |
| publishDate | 2015-11-01 |
| publisher | Allameh Tabataba'i University Press |
| record_format | Article |
| series | Matn/Pizhūhī-i Adabī |
| spelling | doaj.art-04bf2942e6c44ff3a0c95300343e643d2023-12-26T07:39:50ZfasAllameh Tabataba'i University PressMatn/Pizhūhī-i Adabī2251-71382476-61862015-11-01196523522184Discrepancy between Era and Writing: A Critical look at “Christine and Keed’’Esmat Esmaeili0Seyyed Razzagh Razavian1دانشیار دانشگاه سمناندانشآموختة دکتری زبان و ادبیّات فارسی دانشگاه سمنانFor a long time, the development of artistic creative paradigms has not been necessarily simultaneous with the emerging social changes in Iranian society. In spite of the fact that the emergence of Iranian novels was due to the social changes, novel is generally considered to be an imported literary genre rather than a traditional Iranian trend, which found its way into the system of Persian literature mainly as a result of translation. Moreover, the principles of modern aesthetics have not been in tune with the accepted norms of Iranian literary community. The novel "Christine and Keed" By H. Golshiri due to its unintelligible content and form and lack of social themes is considered by many critics to be missing a natural and logical continuation of his era’s writing, which has deviated from the coordinated norms of literary community. More clearly, Iranian novel has been an imitation of western literary works in terms of form and figures of speech and the context of the story has not been a product of real situational and social contexts in Iran. This discrepancy caused the novel not to be generally favored among its readers and critics at the time of its publication. However, several decades after the publication, it was faced with a relative acceptance by its readers and critics because of the advances in criticism and literary theories, innovative experiences in fiction, and writers’ passion for modern and progressive movements. This paper aims at providing an innovative explanation of this novel based on the principles of Nouveau.https://ltr.atu.ac.ir/article_2184_842e65b6abecb88229f3d0c74cd8d62f.pdfchristine and keedhoushang golshirinouveaucontemporary persian fictionera and writing |
| spellingShingle | Esmat Esmaeili Seyyed Razzagh Razavian Discrepancy between Era and Writing: A Critical look at “Christine and Keed’’ Matn/Pizhūhī-i Adabī christine and keed houshang golshiri nouveau contemporary persian fiction era and writing |
| title | Discrepancy between Era and Writing: A Critical look at “Christine and Keed’’ |
| title_full | Discrepancy between Era and Writing: A Critical look at “Christine and Keed’’ |
| title_fullStr | Discrepancy between Era and Writing: A Critical look at “Christine and Keed’’ |
| title_full_unstemmed | Discrepancy between Era and Writing: A Critical look at “Christine and Keed’’ |
| title_short | Discrepancy between Era and Writing: A Critical look at “Christine and Keed’’ |
| title_sort | discrepancy between era and writing a critical look at christine and keed |
| topic | christine and keed houshang golshiri nouveau contemporary persian fiction era and writing |
| url | https://ltr.atu.ac.ir/article_2184_842e65b6abecb88229f3d0c74cd8d62f.pdf |
| work_keys_str_mv | AT esmatesmaeili discrepancybetweeneraandwritingacriticallookatchristineandkeed AT seyyedrazzaghrazavian discrepancybetweeneraandwritingacriticallookatchristineandkeed |