From Plasticity to Elasticity: Philippe Parreno’s Permanent Revolution
This essay focuses on French artist Philip Parreno's 2013-2014 Palais de Tokyo exhibition Anywhere, Anywhere, Out of this World to explore how the artist utilizes the exhibition format to produce an aesthetic imaginary concerned with intermediality, collaboration, spectatorial attention and dis...
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| Format: | Article |
| Language: | English |
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OBOE On Biennials and Other Exhibitions Associazione Culturale
2021-08-01
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| Series: | OBOE |
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| Online Access: | https://www.oboejournal.com/index.php/oboe/article/view/41 |
| _version_ | 1818433558942842880 |
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| author | Mónica Amor |
| author_facet | Mónica Amor |
| author_sort | Mónica Amor |
| collection | DOAJ |
| description | This essay focuses on French artist Philip Parreno's 2013-2014 Palais de Tokyo exhibition Anywhere, Anywhere, Out of this World to explore how the artist utilizes the exhibition format to produce an aesthetic imaginary concerned with intermediality, collaboration, spectatorial attention and distraction. It examines the forms of object and image dissipation that Parreno and his collaborators mobilised through a digital network that activated ghostly environments in the spatiality of this unique exhibition space. Utilising the exhibition as a controlled dispositif that interfaced with viewers, Anywhere repurposed the normative structure of the exhibitionary complex to stage alternative relations between objects and subjects within the spectral conditions of the digital. The exhibition, rather than a framework that contains art, was used by the artist to stage relations and query contemporary rituals of artistic integration. The essay concludes that Parreno’s techno-environment and its anti-instrumentalising itinerary, posed, but didn’t resolve, recurring concerns with agency and publicness under intensified regimes of biotechnological integration. |
| first_indexed | 2024-12-14T16:23:01Z |
| format | Article |
| id | doaj.art-05470726607c480a8b6c06f8737c7894 |
| institution | Directory Open Access Journal |
| issn | 2724-086X |
| language | English |
| last_indexed | 2024-12-14T16:23:01Z |
| publishDate | 2021-08-01 |
| publisher | OBOE On Biennials and Other Exhibitions Associazione Culturale |
| record_format | Article |
| series | OBOE |
| spelling | doaj.art-05470726607c480a8b6c06f8737c78942022-12-21T22:54:46ZengOBOE On Biennials and Other Exhibitions Associazione CulturaleOBOE2724-086X2021-08-012110.25432/2724-086X/2.1.000139From Plasticity to Elasticity: Philippe Parreno’s Permanent RevolutionMónica AmorThis essay focuses on French artist Philip Parreno's 2013-2014 Palais de Tokyo exhibition Anywhere, Anywhere, Out of this World to explore how the artist utilizes the exhibition format to produce an aesthetic imaginary concerned with intermediality, collaboration, spectatorial attention and distraction. It examines the forms of object and image dissipation that Parreno and his collaborators mobilised through a digital network that activated ghostly environments in the spatiality of this unique exhibition space. Utilising the exhibition as a controlled dispositif that interfaced with viewers, Anywhere repurposed the normative structure of the exhibitionary complex to stage alternative relations between objects and subjects within the spectral conditions of the digital. The exhibition, rather than a framework that contains art, was used by the artist to stage relations and query contemporary rituals of artistic integration. The essay concludes that Parreno’s techno-environment and its anti-instrumentalising itinerary, posed, but didn’t resolve, recurring concerns with agency and publicness under intensified regimes of biotechnological integration.https://www.oboejournal.com/index.php/oboe/article/view/41philippe parrenoexhibitionspalais de tokyotechno-environmentstechnosphereintegration of the artsexhibition as form |
| spellingShingle | Mónica Amor From Plasticity to Elasticity: Philippe Parreno’s Permanent Revolution OBOE philippe parreno exhibitions palais de tokyo techno-environments technosphere integration of the arts exhibition as form |
| title | From Plasticity to Elasticity: Philippe Parreno’s Permanent Revolution |
| title_full | From Plasticity to Elasticity: Philippe Parreno’s Permanent Revolution |
| title_fullStr | From Plasticity to Elasticity: Philippe Parreno’s Permanent Revolution |
| title_full_unstemmed | From Plasticity to Elasticity: Philippe Parreno’s Permanent Revolution |
| title_short | From Plasticity to Elasticity: Philippe Parreno’s Permanent Revolution |
| title_sort | from plasticity to elasticity philippe parreno s permanent revolution |
| topic | philippe parreno exhibitions palais de tokyo techno-environments technosphere integration of the arts exhibition as form |
| url | https://www.oboejournal.com/index.php/oboe/article/view/41 |
| work_keys_str_mv | AT monicaamor fromplasticitytoelasticityphilippeparrenospermanentrevolution |