Immanence, Ethics and Dystopia in The Lobster by Yorgos Lanthimos
The article discusses The Lobster (2015) by Yorgos Lanthimos in connection with the concepts of transcendence and immanence, morality and ethics. This film is a dystopia that critically reveals the relationship between modernity and morality and draws attention with its objections to transcendental...
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| Format: | Article |
| Language: | English |
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Scientia Publishing House
2023-05-01
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| Series: | Acta Universitatis Sapientiae: Film and Media Studies |
| Subjects: | |
| Online Access: | https://doi.org/10.2478/ausfm-2023-0010 |
| _version_ | 1827199497931849728 |
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| author | Oktan Kevser Akyol |
| author_facet | Oktan Kevser Akyol |
| author_sort | Oktan Kevser Akyol |
| collection | DOAJ |
| description | The article discusses The Lobster (2015) by Yorgos Lanthimos in connection with the concepts of transcendence and immanence, morality and ethics. This film is a dystopia that critically reveals the relationship between modernity and morality and draws attention with its objections to transcendental moral values. Therefore, in this study, the film is the subject of a discussion mainly focusing on the loss of control of modern individuals over their own lives under the pressure of transcendent values and moral systems that produce hierarchy. The film is evaluated on the axis of Spinoza’s approach to immanence ethics. The distinction between morality and ethics, which stands out in Spinoza’s philosophy of immanence, and the association of morality with transcendence and ethics with immanence form the basis of the analysis of the film. Criticisms of transcendence and morality are hidden in the ironic style that is based on Cartesian oppositions such as nature–culture, good–evil, mind–body, woman–man, rule-illegal, similarity–difference in the film. In addition, the emphasis on the lack of emotion in the film is an important part of the critical style of the film in terms of the role that Spinoza assigns to the affects in the context of activating the conatus. |
| first_indexed | 2024-03-13T06:03:47Z |
| format | Article |
| id | doaj.art-05679b00279e4459ba4fa337ad35afe0 |
| institution | Directory Open Access Journal |
| issn | 2066-7779 |
| language | English |
| last_indexed | 2025-03-21T10:33:52Z |
| publishDate | 2023-05-01 |
| publisher | Scientia Publishing House |
| record_format | Article |
| series | Acta Universitatis Sapientiae: Film and Media Studies |
| spelling | doaj.art-05679b00279e4459ba4fa337ad35afe02024-07-02T22:04:40ZengScientia Publishing HouseActa Universitatis Sapientiae: Film and Media Studies2066-77792023-05-0123117619010.2478/ausfm-2023-0010Immanence, Ethics and Dystopia in The Lobster by Yorgos LanthimosOktan Kevser Akyol0Ondokuz Mayis University, Samsun (Turkey)The article discusses The Lobster (2015) by Yorgos Lanthimos in connection with the concepts of transcendence and immanence, morality and ethics. This film is a dystopia that critically reveals the relationship between modernity and morality and draws attention with its objections to transcendental moral values. Therefore, in this study, the film is the subject of a discussion mainly focusing on the loss of control of modern individuals over their own lives under the pressure of transcendent values and moral systems that produce hierarchy. The film is evaluated on the axis of Spinoza’s approach to immanence ethics. The distinction between morality and ethics, which stands out in Spinoza’s philosophy of immanence, and the association of morality with transcendence and ethics with immanence form the basis of the analysis of the film. Criticisms of transcendence and morality are hidden in the ironic style that is based on Cartesian oppositions such as nature–culture, good–evil, mind–body, woman–man, rule-illegal, similarity–difference in the film. In addition, the emphasis on the lack of emotion in the film is an important part of the critical style of the film in terms of the role that Spinoza assigns to the affects in the context of activating the conatus.https://doi.org/10.2478/ausfm-2023-0010transcendenceimmanenceethicsspinozacinemadystopia |
| spellingShingle | Oktan Kevser Akyol Immanence, Ethics and Dystopia in The Lobster by Yorgos Lanthimos Acta Universitatis Sapientiae: Film and Media Studies transcendence immanence ethics spinoza cinema dystopia |
| title | Immanence, Ethics and Dystopia in The Lobster by Yorgos Lanthimos |
| title_full | Immanence, Ethics and Dystopia in The Lobster by Yorgos Lanthimos |
| title_fullStr | Immanence, Ethics and Dystopia in The Lobster by Yorgos Lanthimos |
| title_full_unstemmed | Immanence, Ethics and Dystopia in The Lobster by Yorgos Lanthimos |
| title_short | Immanence, Ethics and Dystopia in The Lobster by Yorgos Lanthimos |
| title_sort | immanence ethics and dystopia in the lobster by yorgos lanthimos |
| topic | transcendence immanence ethics spinoza cinema dystopia |
| url | https://doi.org/10.2478/ausfm-2023-0010 |
| work_keys_str_mv | AT oktankevserakyol immanenceethicsanddystopiainthelobsterbyyorgoslanthimos |