The Technology Transfer from Europe to China in the 17th–18th Centuries: Non-Invasive On-Site XRF and Raman Analyses of Chinese Qing Dynasty Enameled Masterpieces Made Using European Ingredients/Recipes

Two masterpieces of the Qing Dynasty (1644–1912 CE), one in gilded brass (incense burner) decorated with <i>cloisonné</i> enamels stylistically attributed to the end of the Kangxi Emperor’s reign, the other in gold (ewer offered by Napoleon III to the Empress as a birthday present), deco...

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Main Authors: Philippe Colomban, Michele Gironda, Divine Vangu, Burcu Kırmızı, Bing Zhao, Vincent Cochet
Format: Article
Language:English
Published: MDPI AG 2021-12-01
Series:Materials
Subjects:
Online Access:https://www.mdpi.com/1996-1944/14/23/7434
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author Philippe Colomban
Michele Gironda
Divine Vangu
Burcu Kırmızı
Bing Zhao
Vincent Cochet
author_facet Philippe Colomban
Michele Gironda
Divine Vangu
Burcu Kırmızı
Bing Zhao
Vincent Cochet
author_sort Philippe Colomban
collection DOAJ
description Two masterpieces of the Qing Dynasty (1644–1912 CE), one in gilded brass (incense burner) decorated with <i>cloisonné</i> enamels stylistically attributed to the end of the Kangxi Emperor’s reign, the other in gold (ewer offered by Napoleon III to the Empress as a birthday present), decorated with both <i>cloisonné</i> and painted enamels bearing the mark of the Qianlong Emperor, were non-invasively studied by optical microscopy, Raman microspectroscopy and X-ray microfluorescence spectroscopy (point measurements and mapping) implemented on-site with mobile instruments. The elemental compositions of the metal substrates and enamels are compared. XRF point measurements and mappings support the identification of the coloring phases and elements obtained by Raman microspectroscopy. Attention was paid to the white (opacifier), blue, yellow, green, and red areas. The demonstration of arsenic-based phases (e.g., lead arsenate apatite) in the blue areas of the ewer, free of manganese, proves the use of cobalt imported from Europe. The high level of potassium confirms the use of smalt as the cobalt source. On the other hand, the significant manganese level indicates the use of Asian cobalt ores for the enamels of the incense burner. The very limited use of the lead pyrochlore pigment (European <i>Naples yellow</i> recipes) in the yellow and soft green <i>cloisonné</i> enamels of the Kangxi incense burner, as well as the use of traditional Chinese recipes for other colors (white, turquoise, dark green, red), reinforces the pioneering character of this object in technical terms at the 17th–18th century turn. The low level of lead in the <i>cloisonné</i> enamels of the incense burner may also be related to the use of European recipes. On the contrary, the Qianlong ewer displays all the enameling techniques imported from Europe to obtain a painted decoration of exceptional quality with the use of complex lead pyrochlore pigments, with or without addition of zinc, as well as cassiterite opacifier.
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spelling doaj.art-05d75dcf8c684e7fb267f3f7976bf83d2023-11-23T02:43:28ZengMDPI AGMaterials1996-19442021-12-011423743410.3390/ma14237434The Technology Transfer from Europe to China in the 17th–18th Centuries: Non-Invasive On-Site XRF and Raman Analyses of Chinese Qing Dynasty Enameled Masterpieces Made Using European Ingredients/RecipesPhilippe Colomban0Michele Gironda1Divine Vangu2Burcu Kırmızı3Bing Zhao4Vincent Cochet5MONARIS (UMR8233), Sorbonne Université, Campus P. et M. Curie, CNRS, 4 Place Jussieu, 75005 Paris, FranceXGLab S.R.L—Bruker, 23 Via Conte Rosso, 20134 Milan, ItalyMONARIS (UMR8233), Sorbonne Université, Campus P. et M. Curie, CNRS, 4 Place Jussieu, 75005 Paris, FranceDepartment of Conservation and Restoration of Cultural Property, Faculty of Architecture, Yıldız Technical University, Yıldız Yerleşkesi B Blok, Beşiktaş, Istanbul 34349, TurkeyCNRS, CRCAO, UMR8155, Collège de France, 75005 Paris, FranceMusée National du Château de Fontainebleau, Place Charles de Gaulle, 77300 Fontainebleau, FranceTwo masterpieces of the Qing Dynasty (1644–1912 CE), one in gilded brass (incense burner) decorated with <i>cloisonné</i> enamels stylistically attributed to the end of the Kangxi Emperor’s reign, the other in gold (ewer offered by Napoleon III to the Empress as a birthday present), decorated with both <i>cloisonné</i> and painted enamels bearing the mark of the Qianlong Emperor, were non-invasively studied by optical microscopy, Raman microspectroscopy and X-ray microfluorescence spectroscopy (point measurements and mapping) implemented on-site with mobile instruments. The elemental compositions of the metal substrates and enamels are compared. XRF point measurements and mappings support the identification of the coloring phases and elements obtained by Raman microspectroscopy. Attention was paid to the white (opacifier), blue, yellow, green, and red areas. The demonstration of arsenic-based phases (e.g., lead arsenate apatite) in the blue areas of the ewer, free of manganese, proves the use of cobalt imported from Europe. The high level of potassium confirms the use of smalt as the cobalt source. On the other hand, the significant manganese level indicates the use of Asian cobalt ores for the enamels of the incense burner. The very limited use of the lead pyrochlore pigment (European <i>Naples yellow</i> recipes) in the yellow and soft green <i>cloisonné</i> enamels of the Kangxi incense burner, as well as the use of traditional Chinese recipes for other colors (white, turquoise, dark green, red), reinforces the pioneering character of this object in technical terms at the 17th–18th century turn. The low level of lead in the <i>cloisonné</i> enamels of the incense burner may also be related to the use of European recipes. On the contrary, the Qianlong ewer displays all the enameling techniques imported from Europe to obtain a painted decoration of exceptional quality with the use of complex lead pyrochlore pigments, with or without addition of zinc, as well as cassiterite opacifier.https://www.mdpi.com/1996-1944/14/23/7434painted enamels<i>cloisonné</i>gold alloyblueyellowgreen
spellingShingle Philippe Colomban
Michele Gironda
Divine Vangu
Burcu Kırmızı
Bing Zhao
Vincent Cochet
The Technology Transfer from Europe to China in the 17th–18th Centuries: Non-Invasive On-Site XRF and Raman Analyses of Chinese Qing Dynasty Enameled Masterpieces Made Using European Ingredients/Recipes
Materials
painted enamels
<i>cloisonné</i>
gold alloy
blue
yellow
green
title The Technology Transfer from Europe to China in the 17th–18th Centuries: Non-Invasive On-Site XRF and Raman Analyses of Chinese Qing Dynasty Enameled Masterpieces Made Using European Ingredients/Recipes
title_full The Technology Transfer from Europe to China in the 17th–18th Centuries: Non-Invasive On-Site XRF and Raman Analyses of Chinese Qing Dynasty Enameled Masterpieces Made Using European Ingredients/Recipes
title_fullStr The Technology Transfer from Europe to China in the 17th–18th Centuries: Non-Invasive On-Site XRF and Raman Analyses of Chinese Qing Dynasty Enameled Masterpieces Made Using European Ingredients/Recipes
title_full_unstemmed The Technology Transfer from Europe to China in the 17th–18th Centuries: Non-Invasive On-Site XRF and Raman Analyses of Chinese Qing Dynasty Enameled Masterpieces Made Using European Ingredients/Recipes
title_short The Technology Transfer from Europe to China in the 17th–18th Centuries: Non-Invasive On-Site XRF and Raman Analyses of Chinese Qing Dynasty Enameled Masterpieces Made Using European Ingredients/Recipes
title_sort technology transfer from europe to china in the 17th 18th centuries non invasive on site xrf and raman analyses of chinese qing dynasty enameled masterpieces made using european ingredients recipes
topic painted enamels
<i>cloisonné</i>
gold alloy
blue
yellow
green
url https://www.mdpi.com/1996-1944/14/23/7434
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