“The Many Languages of the Avant-Garde”: In conversation with Grzegorz Bral of Teatr Pieśń Kozła (Song of the Goat Theatre)
How to theorise and review avant-garde Shakespeare? Which theoretical paradigms should be applied when Shakespearean productions are multicultural and yet come from a specific locale? These and other many questions interrogating the language of performance in global avant-garde Shakespeare productio...
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| Format: | Article |
| Language: | English |
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Lodz University Press
2014-12-01
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| Series: | Multicultural Shakespeare |
| Subjects: | |
| Online Access: | https://czasopisma.uni.lodz.pl/szekspir/article/view/7661 |
| _version_ | 1811251910985908224 |
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| author | Aleksandra Sakowska |
| author_facet | Aleksandra Sakowska |
| author_sort | Aleksandra Sakowska |
| collection | DOAJ |
| description | How to theorise and review avant-garde Shakespeare? Which theoretical paradigms should be applied when Shakespearean productions are multicultural and yet come from a specific locale? These and other many questions interrogating the language of performance in global avant-garde Shakespeare productions are put forward to Grzegorz Bral, the director of the Song of the Goat ensemble in the context of their evolving performance of Macbeth (2006/2008) and their Songs of Lear (2012). |
| first_indexed | 2024-04-12T16:26:09Z |
| format | Article |
| id | doaj.art-05e4538d9eb14fd4be380915af77035c |
| institution | Directory Open Access Journal |
| issn | 2300-7605 |
| language | English |
| last_indexed | 2024-04-12T16:26:09Z |
| publishDate | 2014-12-01 |
| publisher | Lodz University Press |
| record_format | Article |
| series | Multicultural Shakespeare |
| spelling | doaj.art-05e4538d9eb14fd4be380915af77035c2022-12-22T03:25:21ZengLodz University PressMulticultural Shakespeare2300-76052014-12-011126456310.2478/mstap-2014-00056695“The Many Languages of the Avant-Garde”: In conversation with Grzegorz Bral of Teatr Pieśń Kozła (Song of the Goat Theatre)Aleksandra Sakowska0London Shakespeare Centre, King’s College LondonHow to theorise and review avant-garde Shakespeare? Which theoretical paradigms should be applied when Shakespearean productions are multicultural and yet come from a specific locale? These and other many questions interrogating the language of performance in global avant-garde Shakespeare productions are put forward to Grzegorz Bral, the director of the Song of the Goat ensemble in the context of their evolving performance of Macbeth (2006/2008) and their Songs of Lear (2012).https://czasopisma.uni.lodz.pl/szekspir/article/view/7661avant-garde theatreintercultural theatrejerzy grotowskigardzieniceglobalisationthe global versus the localpost-colonialismwestern culturemontagepost-dramatic theatreutopian primitivismintertextualitytextadaptation |
| spellingShingle | Aleksandra Sakowska “The Many Languages of the Avant-Garde”: In conversation with Grzegorz Bral of Teatr Pieśń Kozła (Song of the Goat Theatre) Multicultural Shakespeare avant-garde theatre intercultural theatre jerzy grotowski gardzienice globalisation the global versus the local post-colonialism western culture montage post-dramatic theatre utopian primitivism intertextuality text adaptation |
| title | “The Many Languages of the Avant-Garde”: In conversation with Grzegorz Bral of Teatr Pieśń Kozła (Song of the Goat Theatre) |
| title_full | “The Many Languages of the Avant-Garde”: In conversation with Grzegorz Bral of Teatr Pieśń Kozła (Song of the Goat Theatre) |
| title_fullStr | “The Many Languages of the Avant-Garde”: In conversation with Grzegorz Bral of Teatr Pieśń Kozła (Song of the Goat Theatre) |
| title_full_unstemmed | “The Many Languages of the Avant-Garde”: In conversation with Grzegorz Bral of Teatr Pieśń Kozła (Song of the Goat Theatre) |
| title_short | “The Many Languages of the Avant-Garde”: In conversation with Grzegorz Bral of Teatr Pieśń Kozła (Song of the Goat Theatre) |
| title_sort | the many languages of the avant garde in conversation with grzegorz bral of teatr piesn kozla song of the goat theatre |
| topic | avant-garde theatre intercultural theatre jerzy grotowski gardzienice globalisation the global versus the local post-colonialism western culture montage post-dramatic theatre utopian primitivism intertextuality text adaptation |
| url | https://czasopisma.uni.lodz.pl/szekspir/article/view/7661 |
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