Like a Whisper: Rethinking the Politics of Voice and Performance with Tania Bruguera
This article analyses Tania Bruguera’s Tatlin’s Whisper #6 (2009), which creatively rewrites the widely distributed image of Fidel Castro’s victory speech in Havana (1959). By drawing on Xinghua Li, Brandon LaBelle and John Mowitt, the article discusses how the performance connects the whisper and f...
Main Author: | |
---|---|
Format: | Article |
Language: | English |
Published: |
IATC
2021-12-01
|
Series: | Critical Stages |
Subjects: | |
Online Access: | https://www.critical-stages.org/24/like-a-whisper-rethinking-the-politics-of-voice-and-performance-with-tania-bruguera/ |
_version_ | 1819001576507834368 |
---|---|
author | Anika Marschall |
author_facet | Anika Marschall |
author_sort | Anika Marschall |
collection | DOAJ |
description | This article analyses Tania Bruguera’s Tatlin’s Whisper #6 (2009), which creatively rewrites the widely distributed image of Fidel Castro’s victory speech in Havana (1959). By drawing on Xinghua Li, Brandon LaBelle and John Mowitt, the article discusses how the performance connects the whisper and frustrated revolutionary hopes, whilst contesting Western epistemologies. The article demonstrates how the whisper as a speaking from and to the margins is crucial for rethinking the politics of performance, and how to be in common otherwise. |
first_indexed | 2024-12-20T22:51:25Z |
format | Article |
id | doaj.art-063e25ecc88b44dfb7a5f2c30cb36a81 |
institution | Directory Open Access Journal |
issn | 2409-7411 |
language | English |
last_indexed | 2024-12-20T22:51:25Z |
publishDate | 2021-12-01 |
publisher | IATC |
record_format | Article |
series | Critical Stages |
spelling | doaj.art-063e25ecc88b44dfb7a5f2c30cb36a812022-12-21T19:24:14ZengIATCCritical Stages2409-74112021-12-0124Like a Whisper: Rethinking the Politics of Voice and Performance with Tania BrugueraAnika MarschallThis article analyses Tania Bruguera’s Tatlin’s Whisper #6 (2009), which creatively rewrites the widely distributed image of Fidel Castro’s victory speech in Havana (1959). By drawing on Xinghua Li, Brandon LaBelle and John Mowitt, the article discusses how the performance connects the whisper and frustrated revolutionary hopes, whilst contesting Western epistemologies. The article demonstrates how the whisper as a speaking from and to the margins is crucial for rethinking the politics of performance, and how to be in common otherwise.https://www.critical-stages.org/24/like-a-whisper-rethinking-the-politics-of-voice-and-performance-with-tania-bruguera/whisperpolitical performancevoicerevolutionlatin america/abya yala |
spellingShingle | Anika Marschall Like a Whisper: Rethinking the Politics of Voice and Performance with Tania Bruguera Critical Stages whisper political performance voice revolution latin america/abya yala |
title | Like a Whisper: Rethinking the Politics of Voice and Performance with Tania Bruguera |
title_full | Like a Whisper: Rethinking the Politics of Voice and Performance with Tania Bruguera |
title_fullStr | Like a Whisper: Rethinking the Politics of Voice and Performance with Tania Bruguera |
title_full_unstemmed | Like a Whisper: Rethinking the Politics of Voice and Performance with Tania Bruguera |
title_short | Like a Whisper: Rethinking the Politics of Voice and Performance with Tania Bruguera |
title_sort | like a whisper rethinking the politics of voice and performance with tania bruguera |
topic | whisper political performance voice revolution latin america/abya yala |
url | https://www.critical-stages.org/24/like-a-whisper-rethinking-the-politics-of-voice-and-performance-with-tania-bruguera/ |
work_keys_str_mv | AT anikamarschall likeawhisperrethinkingthepoliticsofvoiceandperformancewithtaniabruguera |