“A Vague, Invarious Delight”: Ezra Pound’s “Middle-Aging Care” and Bernard Hart’s Psychology of the Complex

This article compares Ezra Pound’s use of the word “complex,” a term he employs to define imagism, with British integral psychologist Bernard Hart’s use of the term. Pound cites Hart in “A Few Don’ts by an Imagiste” as the source of the term. This study first surveys the prominent role of emotion in...

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Main Author: J. Rhett Forman
Format: Article
Language:deu
Published: Russian Academy of Sciences, A.M. Gorky Institute of World Literature 2019-11-01
Series:Литература двух Америк
Subjects:
Online Access:http://litda.ru/images/2019-7/LDA-2019-7_394-413_Forman.pdf
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author J. Rhett Forman
author_facet J. Rhett Forman
author_sort J. Rhett Forman
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description This article compares Ezra Pound’s use of the word “complex,” a term he employs to define imagism, with British integral psychologist Bernard Hart’s use of the term. Pound cites Hart in “A Few Don’ts by an Imagiste” as the source of the term. This study first surveys the prominent role of emotion in Pound’s literary theory before it investigates how George Mead’s Quest Society introduced Pound to British integral psychologists like Hart. Finally, it considers the influence of British integral psychology on two of Pound’s poems. While living in London among the burgeoning school of what Arthur McDougall calls British “integral psychology,” Pound borrowed terms from this school to compose two poems that express contrasting understandings of the term “complex,” namely, “Middle-Aged: A Study in an Emotion” (1912) and “Villanelle: The Psychological Hour” (1915). As this study demonstrates, in “Middle-Aged” the emotional content of the imagist complex revitalizes the speaker’s creativity, whereas in “Villanelle” the speaker deteriorates into hysteria via the Hartian complex. A careful analysis reveals that, while “Villanelle” adheres more closely to Hart’s sense of the term “complex” as a pathogenic, destructive concept, “Middle-Aged” expresses a different, more constructive understanding of the term in accord with Pound’s usage in “A Few Don’ts by an Imagiste.”
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spelling doaj.art-065e32f45acf44deac269834e06ee03c2022-12-21T18:34:33ZdeuRussian Academy of Sciences, A.M. Gorky Institute of World LiteratureЛитература двух Америк2541-78942542-243X2019-11-01739441310.22455/2541-7894-2019-7-394-413“A Vague, Invarious Delight”: Ezra Pound’s “Middle-Aging Care” and Bernard Hart’s Psychology of the ComplexJ. Rhett Forman0Tarleton State University, Stephenville, Texas, USAThis article compares Ezra Pound’s use of the word “complex,” a term he employs to define imagism, with British integral psychologist Bernard Hart’s use of the term. Pound cites Hart in “A Few Don’ts by an Imagiste” as the source of the term. This study first surveys the prominent role of emotion in Pound’s literary theory before it investigates how George Mead’s Quest Society introduced Pound to British integral psychologists like Hart. Finally, it considers the influence of British integral psychology on two of Pound’s poems. While living in London among the burgeoning school of what Arthur McDougall calls British “integral psychology,” Pound borrowed terms from this school to compose two poems that express contrasting understandings of the term “complex,” namely, “Middle-Aged: A Study in an Emotion” (1912) and “Villanelle: The Psychological Hour” (1915). As this study demonstrates, in “Middle-Aged” the emotional content of the imagist complex revitalizes the speaker’s creativity, whereas in “Villanelle” the speaker deteriorates into hysteria via the Hartian complex. A careful analysis reveals that, while “Villanelle” adheres more closely to Hart’s sense of the term “complex” as a pathogenic, destructive concept, “Middle-Aged” expresses a different, more constructive understanding of the term in accord with Pound’s usage in “A Few Don’ts by an Imagiste.”http://litda.ru/images/2019-7/LDA-2019-7_394-413_Forman.pdfezra poundbernard hartpierre janetsigmund freudbritish psychologycomplexemotionimagismmodernismpersonae“middle-aged: a study in an emotion” “villanelle: the psychological hour”.
spellingShingle J. Rhett Forman
“A Vague, Invarious Delight”: Ezra Pound’s “Middle-Aging Care” and Bernard Hart’s Psychology of the Complex
Литература двух Америк
ezra pound
bernard hart
pierre janet
sigmund freud
british psychology
complex
emotion
imagism
modernism
personae
“middle-aged: a study in an emotion
” “villanelle: the psychological hour”.
title “A Vague, Invarious Delight”: Ezra Pound’s “Middle-Aging Care” and Bernard Hart’s Psychology of the Complex
title_full “A Vague, Invarious Delight”: Ezra Pound’s “Middle-Aging Care” and Bernard Hart’s Psychology of the Complex
title_fullStr “A Vague, Invarious Delight”: Ezra Pound’s “Middle-Aging Care” and Bernard Hart’s Psychology of the Complex
title_full_unstemmed “A Vague, Invarious Delight”: Ezra Pound’s “Middle-Aging Care” and Bernard Hart’s Psychology of the Complex
title_short “A Vague, Invarious Delight”: Ezra Pound’s “Middle-Aging Care” and Bernard Hart’s Psychology of the Complex
title_sort a vague invarious delight ezra pound s middle aging care and bernard hart s psychology of the complex
topic ezra pound
bernard hart
pierre janet
sigmund freud
british psychology
complex
emotion
imagism
modernism
personae
“middle-aged: a study in an emotion
” “villanelle: the psychological hour”.
url http://litda.ru/images/2019-7/LDA-2019-7_394-413_Forman.pdf
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