COMBINATION OF MELODIC LINES, PERCUSSIVE ELEMENTS AND ACCOMPANIMENT FOR THE JAZZ DOUBLE BASS

The present article is dedicated to the combination of different methods of interpretation on the double bass in jazz music, while providing as much information and resources as possible for the further development and study of different melodic, percussive and accompaniment styles of the jazz doubl...

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Main Author: SOCICAN, IGOR
Format: Article
Language:deu
Published: Notograf Prim 2021-11-01
Series:Studiul Artelor şi Culturologie: Istorie, Teorie, Practică
Subjects:
Online Access:https://revista.amtap.md/wp-content/files_mf/16363685436.Socican_Imbinarea_procedeelor
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author SOCICAN, IGOR
author_facet SOCICAN, IGOR
author_sort SOCICAN, IGOR
collection DOAJ
description The present article is dedicated to the combination of different methods of interpretation on the double bass in jazz music, while providing as much information and resources as possible for the further development and study of different melodic, percussive and accompaniment styles of the jazz double bass. Namely, it is proposed to examine different percussion techniques on the double bass and their notation versions .This problem is examined for the first time in the national music science.
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last_indexed 2024-12-20T15:20:11Z
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spelling doaj.art-06e721989e354bc4ab88b799ac30abde2022-12-21T19:36:05ZdeuNotograf PrimStudiul Artelor şi Culturologie: Istorie, Teorie, Practică2345-14082345-18312021-11-013(40)5767COMBINATION OF MELODIC LINES, PERCUSSIVE ELEMENTS AND ACCOMPANIMENT FOR THE JAZZ DOUBLE BASSSOCICAN, IGOR0Academy of Music, Theatre and Fine ArtsThe present article is dedicated to the combination of different methods of interpretation on the double bass in jazz music, while providing as much information and resources as possible for the further development and study of different melodic, percussive and accompaniment styles of the jazz double bass. Namely, it is proposed to examine different percussion techniques on the double bass and their notation versions .This problem is examined for the first time in the national music science.https://revista.amtap.md/wp-content/files_mf/16363685436.Socican_Imbinarea_procedeelorupright bassdouble bassjazz bass slapmuted notesdrumming basspercussive bass
spellingShingle SOCICAN, IGOR
COMBINATION OF MELODIC LINES, PERCUSSIVE ELEMENTS AND ACCOMPANIMENT FOR THE JAZZ DOUBLE BASS
Studiul Artelor şi Culturologie: Istorie, Teorie, Practică
upright bass
double bass
jazz bass slap
muted notes
drumming bass
percussive bass
title COMBINATION OF MELODIC LINES, PERCUSSIVE ELEMENTS AND ACCOMPANIMENT FOR THE JAZZ DOUBLE BASS
title_full COMBINATION OF MELODIC LINES, PERCUSSIVE ELEMENTS AND ACCOMPANIMENT FOR THE JAZZ DOUBLE BASS
title_fullStr COMBINATION OF MELODIC LINES, PERCUSSIVE ELEMENTS AND ACCOMPANIMENT FOR THE JAZZ DOUBLE BASS
title_full_unstemmed COMBINATION OF MELODIC LINES, PERCUSSIVE ELEMENTS AND ACCOMPANIMENT FOR THE JAZZ DOUBLE BASS
title_short COMBINATION OF MELODIC LINES, PERCUSSIVE ELEMENTS AND ACCOMPANIMENT FOR THE JAZZ DOUBLE BASS
title_sort combination of melodic lines percussive elements and accompaniment for the jazz double bass
topic upright bass
double bass
jazz bass slap
muted notes
drumming bass
percussive bass
url https://revista.amtap.md/wp-content/files_mf/16363685436.Socican_Imbinarea_procedeelor
work_keys_str_mv AT socicanigor combinationofmelodiclinespercussiveelementsandaccompanimentforthejazzdoublebass