‘Entre la hoz y el martillo’: vínculos entre música culta, folklore y política en Chile durante la Guerra Fría (1947-1973)
This article analyses some aspects of Chilean musical history during the Cold War, and more precisely, the impact that the aesthetic theories originated in the USSR had on local communist musicians. Through the study of diverse sources, some used for the first time, we try to show how these ideas ci...
| Main Authors: | , |
|---|---|
| Format: | Article |
| Language: | Spanish |
| Published: |
Groupe de Recherche Amérique Latine Histoire et Mémoire
|
| Series: | Les Cahiers ALHIM |
| Subjects: | |
| Online Access: | https://journals.openedition.org/alhim/6414 |
| _version_ | 1797308392453177344 |
|---|---|
| author | Mauricio Gómez Gálvez Javier Rodríguez Aedo |
| author_facet | Mauricio Gómez Gálvez Javier Rodríguez Aedo |
| author_sort | Mauricio Gómez Gálvez |
| collection | DOAJ |
| description | This article analyses some aspects of Chilean musical history during the Cold War, and more precisely, the impact that the aesthetic theories originated in the USSR had on local communist musicians. Through the study of diverse sources, some used for the first time, we try to show how these ideas circulated, who received them and how they were reinterpreted. The article argues that the media linked to the Chilean Communist Party were key in defining the social role of art, and often locally echoed debates originally developed in the Soviet Union. Between the autonomy inherent to the artistic vocation and the heteronomy due to their ideology, Communist musicians explored different solutions, more or less original, in order to shape their own model of expression of their political commitment. |
| first_indexed | 2024-03-08T01:10:59Z |
| format | Article |
| id | doaj.art-06fe6d34c09a4d17b3a3a43a0f82eb2e |
| institution | Directory Open Access Journal |
| issn | 1628-6731 1777-5175 |
| language | Spanish |
| last_indexed | 2024-03-08T01:10:59Z |
| publisher | Groupe de Recherche Amérique Latine Histoire et Mémoire |
| record_format | Article |
| series | Les Cahiers ALHIM |
| spelling | doaj.art-06fe6d34c09a4d17b3a3a43a0f82eb2e2024-02-14T15:16:41ZspaGroupe de Recherche Amérique Latine Histoire et MémoireLes Cahiers ALHIM1628-67311777-51753510.4000/alhim.6414‘Entre la hoz y el martillo’: vínculos entre música culta, folklore y política en Chile durante la Guerra Fría (1947-1973)Mauricio Gómez GálvezJavier Rodríguez AedoThis article analyses some aspects of Chilean musical history during the Cold War, and more precisely, the impact that the aesthetic theories originated in the USSR had on local communist musicians. Through the study of diverse sources, some used for the first time, we try to show how these ideas circulated, who received them and how they were reinterpreted. The article argues that the media linked to the Chilean Communist Party were key in defining the social role of art, and often locally echoed debates originally developed in the Soviet Union. Between the autonomy inherent to the artistic vocation and the heteronomy due to their ideology, Communist musicians explored different solutions, more or less original, in order to shape their own model of expression of their political commitment.https://journals.openedition.org/alhim/6414Chilepoliticsmusiccommunismideologyinternational circulation |
| spellingShingle | Mauricio Gómez Gálvez Javier Rodríguez Aedo ‘Entre la hoz y el martillo’: vínculos entre música culta, folklore y política en Chile durante la Guerra Fría (1947-1973) Les Cahiers ALHIM Chile politics music communism ideology international circulation |
| title | ‘Entre la hoz y el martillo’: vínculos entre música culta, folklore y política en Chile durante la Guerra Fría (1947-1973) |
| title_full | ‘Entre la hoz y el martillo’: vínculos entre música culta, folklore y política en Chile durante la Guerra Fría (1947-1973) |
| title_fullStr | ‘Entre la hoz y el martillo’: vínculos entre música culta, folklore y política en Chile durante la Guerra Fría (1947-1973) |
| title_full_unstemmed | ‘Entre la hoz y el martillo’: vínculos entre música culta, folklore y política en Chile durante la Guerra Fría (1947-1973) |
| title_short | ‘Entre la hoz y el martillo’: vínculos entre música culta, folklore y política en Chile durante la Guerra Fría (1947-1973) |
| title_sort | entre la hoz y el martillo vinculos entre musica culta folklore y politica en chile durante la guerra fria 1947 1973 |
| topic | Chile politics music communism ideology international circulation |
| url | https://journals.openedition.org/alhim/6414 |
| work_keys_str_mv | AT mauriciogomezgalvez entrelahozyelmartillovinculosentremusicacultafolkloreypoliticaenchiledurantelaguerrafria19471973 AT javierrodriguezaedo entrelahozyelmartillovinculosentremusicacultafolkloreypoliticaenchiledurantelaguerrafria19471973 |