<b>Modern narratives and film adaptation as translation</b> - doi: 10.4025/actascilangcult.v35i3.17238

This paper analyses the translation of the modern narratives Mrs. Dalloway (1976), by Virginia Woolf; A Portrait of the Artist as a Young Man (1994) and The Dead (1993), by James Joyce, into the films Mrs. Dalloway (1997) by Marleen Gorris, A Portrait of the Artist as a Young Man (1977) by Joseph St...

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Main Author: Carlos Augusto Viana da Silva
Format: Article
Language:English
Published: Universidade Estadual de Maringá 2013-03-01
Series:Acta Scientiarum: Language and Culture
Subjects:
Online Access:http://186.233.154.254/ojs/index.php/ActaSciLangCult/article/view/17238
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author Carlos Augusto Viana da Silva
author_facet Carlos Augusto Viana da Silva
author_sort Carlos Augusto Viana da Silva
collection DOAJ
description This paper analyses the translation of the modern narratives Mrs. Dalloway (1976), by Virginia Woolf; A Portrait of the Artist as a Young Man (1994) and The Dead (1993), by James Joyce, into the films Mrs. Dalloway (1997) by Marleen Gorris, A Portrait of the Artist as a Young Man (1977) by Joseph Strick, and The Dead (1987) by John Huston. Based on the principles of the polysystem theory (EVEN-ZOHAR, 1990) and on the idea of film adaptation as translation (CATTRYSSE, 1992), contextual aspects of the process of creation and reception of these adaptations will be discussed, as well as their role in the representation of the writers’ literary universe to spectators.
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spelling doaj.art-0715d38059a04c538a640547aa0fdb602022-12-22T02:48:00ZengUniversidade Estadual de MaringáActa Scientiarum: Language and Culture1983-46751983-46832013-03-0135326927410.4025/actascilangcult.v35i3.172389548<b>Modern narratives and film adaptation as translation</b> - doi: 10.4025/actascilangcult.v35i3.17238Carlos Augusto Viana da Silva0Universidade Federa do Ceará (UFC)This paper analyses the translation of the modern narratives Mrs. Dalloway (1976), by Virginia Woolf; A Portrait of the Artist as a Young Man (1994) and The Dead (1993), by James Joyce, into the films Mrs. Dalloway (1997) by Marleen Gorris, A Portrait of the Artist as a Young Man (1977) by Joseph Strick, and The Dead (1987) by John Huston. Based on the principles of the polysystem theory (EVEN-ZOHAR, 1990) and on the idea of film adaptation as translation (CATTRYSSE, 1992), contextual aspects of the process of creation and reception of these adaptations will be discussed, as well as their role in the representation of the writers’ literary universe to spectators.http://186.233.154.254/ojs/index.php/ActaSciLangCult/article/view/17238cinemaliterary systemnovelshort story
spellingShingle Carlos Augusto Viana da Silva
<b>Modern narratives and film adaptation as translation</b> - doi: 10.4025/actascilangcult.v35i3.17238
Acta Scientiarum: Language and Culture
cinema
literary system
novel
short story
title <b>Modern narratives and film adaptation as translation</b> - doi: 10.4025/actascilangcult.v35i3.17238
title_full <b>Modern narratives and film adaptation as translation</b> - doi: 10.4025/actascilangcult.v35i3.17238
title_fullStr <b>Modern narratives and film adaptation as translation</b> - doi: 10.4025/actascilangcult.v35i3.17238
title_full_unstemmed <b>Modern narratives and film adaptation as translation</b> - doi: 10.4025/actascilangcult.v35i3.17238
title_short <b>Modern narratives and film adaptation as translation</b> - doi: 10.4025/actascilangcult.v35i3.17238
title_sort b modern narratives and film adaptation as translation b doi 10 4025 actascilangcult v35i3 17238
topic cinema
literary system
novel
short story
url http://186.233.154.254/ojs/index.php/ActaSciLangCult/article/view/17238
work_keys_str_mv AT carlosaugustovianadasilva bmodernnarrativesandfilmadaptationastranslationbdoi104025actascilangcultv35i317238