Âşıklık Geleneğinde Sefil Mahlaslı Halk Şairleri

This study focuses on the poets who use Sefil (means poor/wretch) pseudonym and Sefil pseudonym in Turkish Folk Literature. The study aims to make some explanations about the reasons of pseudonym usage by focusing on a common pseudonym with the transfer of poets with the same pseudonym while draw...

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Main Author: Doğan KAYA
Format: Article
Language:deu
Published: Ankara Haci Bayram Veli University 2020-06-01
Series:Türk Kültürü ve Hacı Bektaş Velî Araştırma Dergisi
Subjects:
Online Access:https://hbvdergisi.hacibayram.edu.tr/index.php/TKHBVD/article/view/2699
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author Doğan KAYA
author_facet Doğan KAYA
author_sort Doğan KAYA
collection DOAJ
description This study focuses on the poets who use Sefil (means poor/wretch) pseudonym and Sefil pseudonym in Turkish Folk Literature. The study aims to make some explanations about the reasons of pseudonym usage by focusing on a common pseudonym with the transfer of poets with the same pseudonym while drawing attention to the reasons of pseudonym usage. In the study, a list of folk poets using Sefil pseudonym and their determination from many conks (a kind of diary or notepad which contains poetries) in private and official libraries are also given. It was determined that seventy-four folk poets used the pseudonym “Sefil”. Thus, it will be seen that folk poets, who preferred the pseudonym of “Sefil”, also facilitated the clues about both time and place and the lore and sufism circles to which they belong. Since the use of pseudonym in poetry is common, it is not possible to restrict a particular pseudonym using a specific Sufi school. However, it is possible to say that the poets who used the pseudonym “Sefil” is mostly in circles with Alawi Bektashi poetry tradition. In order to facilitate the understanding of this issue, both the list of poets who use the “Sefil” pseudonym in the selected cönks, which is evaluated for this study and the works of poets who use the “Sefil” pseudonym will be given with examples. As a result, the study dealt with the people of “Sefil” pseudonym poets and by calling himself/ herself “Sefil”, he/she pulls himself/herself into ruin and gives the impression that he/she has avoided the arrogance and ego that he/she has loaded and tries to direct. The poet expresses the depth and influence in his/her poetry with his/her pseudonym “Sefil”, which he/she prefers to attract himself/ herself to modesty or to protect himself/herself modestly
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spelling doaj.art-072c07d6a7d14fea953255b7839b6c7d2023-02-15T16:10:57ZdeuAnkara Haci Bayram Veli UniversityTürk Kültürü ve Hacı Bektaş Velî Araştırma Dergisi1306-82532147-98952020-06-0129416116910.34189/hbv.94.009Âşıklık Geleneğinde Sefil Mahlaslı Halk ŞairleriDoğan KAYAhttps://orcid.org/0000-0001-5725-0332This study focuses on the poets who use Sefil (means poor/wretch) pseudonym and Sefil pseudonym in Turkish Folk Literature. The study aims to make some explanations about the reasons of pseudonym usage by focusing on a common pseudonym with the transfer of poets with the same pseudonym while drawing attention to the reasons of pseudonym usage. In the study, a list of folk poets using Sefil pseudonym and their determination from many conks (a kind of diary or notepad which contains poetries) in private and official libraries are also given. It was determined that seventy-four folk poets used the pseudonym “Sefil”. Thus, it will be seen that folk poets, who preferred the pseudonym of “Sefil”, also facilitated the clues about both time and place and the lore and sufism circles to which they belong. Since the use of pseudonym in poetry is common, it is not possible to restrict a particular pseudonym using a specific Sufi school. However, it is possible to say that the poets who used the pseudonym “Sefil” is mostly in circles with Alawi Bektashi poetry tradition. In order to facilitate the understanding of this issue, both the list of poets who use the “Sefil” pseudonym in the selected cönks, which is evaluated for this study and the works of poets who use the “Sefil” pseudonym will be given with examples. As a result, the study dealt with the people of “Sefil” pseudonym poets and by calling himself/ herself “Sefil”, he/she pulls himself/herself into ruin and gives the impression that he/she has avoided the arrogance and ego that he/she has loaded and tries to direct. The poet expresses the depth and influence in his/her poetry with his/her pseudonym “Sefil”, which he/she prefers to attract himself/ herself to modesty or to protect himself/herself modestlyhttps://hbvdergisi.hacibayram.edu.tr/index.php/TKHBVD/article/view/2699sefilpseudonymfolk poetryfolk poet
spellingShingle Doğan KAYA
Âşıklık Geleneğinde Sefil Mahlaslı Halk Şairleri
Türk Kültürü ve Hacı Bektaş Velî Araştırma Dergisi
sefil
pseudonym
folk poetry
folk poet
title Âşıklık Geleneğinde Sefil Mahlaslı Halk Şairleri
title_full Âşıklık Geleneğinde Sefil Mahlaslı Halk Şairleri
title_fullStr Âşıklık Geleneğinde Sefil Mahlaslı Halk Şairleri
title_full_unstemmed Âşıklık Geleneğinde Sefil Mahlaslı Halk Şairleri
title_short Âşıklık Geleneğinde Sefil Mahlaslı Halk Şairleri
title_sort asiklik geleneginde sefil mahlasli halk sairleri
topic sefil
pseudonym
folk poetry
folk poet
url https://hbvdergisi.hacibayram.edu.tr/index.php/TKHBVD/article/view/2699
work_keys_str_mv AT dogankaya asıklıkgelenegindesefilmahlaslıhalksairleri