Passing on Dance: practices of translating the choreographies of Pina Bausch

This text aims to analyze the process of passing on choreographies, as exemplified in the work of the Tanztheater Wuppertal Pina Bausch. It presents this process as a praxis of translation. The paper discusses the limitations and possibilities of translating choreography, as well as the specific po...

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Main Author: Gabriele Klein (Hamburg University, Hamburg – Germany)
Format: Article
Language:English
Published: Universidade Federal do Rio Grande do Sul 2018-06-01
Series:Revista Brasileira de Estudos da Presença
Subjects:
Online Access:https://seer.ufrgs.br/index.php/presenca/article/view/83944
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author Gabriele Klein (Hamburg University, Hamburg – Germany)
author_facet Gabriele Klein (Hamburg University, Hamburg – Germany)
author_sort Gabriele Klein (Hamburg University, Hamburg – Germany)
collection DOAJ
description This text aims to analyze the process of passing on choreographies, as exemplified in the work of the Tanztheater Wuppertal Pina Bausch. It presents this process as a praxis of translation. The paper discusses the limitations and possibilities of translating choreography, as well as the specific potential inherent and visible in practices of translating choreographies by Pina Bausch. From a philosophical and sociological perspective of translation theory and based on a methodology of the ‘praxeological production analysis’ (Klein, 2014a; 2015a), I’m using data gathered during rehearsals and two years of interviews with dancers and collaborators of the Tanztheater Wuppertal Pina Bausch. The text will demonstrate that the translation of choreographies is characterized by a paradox between identity and difference.  
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spelling doaj.art-074dfa589ebe4b5abde1927f1ffefdd22022-12-22T03:17:55ZengUniversidade Federal do Rio Grande do SulRevista Brasileira de Estudos da Presença2237-26602018-06-0183Passing on Dance: practices of translating the choreographies of Pina BauschGabriele Klein (Hamburg University, Hamburg – Germany) This text aims to analyze the process of passing on choreographies, as exemplified in the work of the Tanztheater Wuppertal Pina Bausch. It presents this process as a praxis of translation. The paper discusses the limitations and possibilities of translating choreography, as well as the specific potential inherent and visible in practices of translating choreographies by Pina Bausch. From a philosophical and sociological perspective of translation theory and based on a methodology of the ‘praxeological production analysis’ (Klein, 2014a; 2015a), I’m using data gathered during rehearsals and two years of interviews with dancers and collaborators of the Tanztheater Wuppertal Pina Bausch. The text will demonstrate that the translation of choreographies is characterized by a paradox between identity and difference.   https://seer.ufrgs.br/index.php/presenca/article/view/83944Dance Theatre. Translation. Identity and Difference.
spellingShingle Gabriele Klein (Hamburg University, Hamburg – Germany)
Passing on Dance: practices of translating the choreographies of Pina Bausch
Revista Brasileira de Estudos da Presença
Dance Theatre. Translation. Identity and Difference.
title Passing on Dance: practices of translating the choreographies of Pina Bausch
title_full Passing on Dance: practices of translating the choreographies of Pina Bausch
title_fullStr Passing on Dance: practices of translating the choreographies of Pina Bausch
title_full_unstemmed Passing on Dance: practices of translating the choreographies of Pina Bausch
title_short Passing on Dance: practices of translating the choreographies of Pina Bausch
title_sort passing on dance practices of translating the choreographies of pina bausch
topic Dance Theatre. Translation. Identity and Difference.
url https://seer.ufrgs.br/index.php/presenca/article/view/83944
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