Interaction Aesthetics In and Beyond the Flow

Although almost two decades have passed since the term aesthetics of interaction made its appearance in design-oriented Human-Computer Interaction (HCI), the actual understanding of the concept remains fuzzy and focused on the description of qualities of what constitutes an aesthetic experience. Ho...

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Main Author: Claudia Núñez Pacheco
Format: Article
Language:English
Published: Pontificia Universidad Católica de Chile 2019-08-01
Series:Diseña
Subjects:
Online Access:https://revistadelaconstruccion.uc.cl/index.php/Disena/article/view/845
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author Claudia Núñez Pacheco
author_facet Claudia Núñez Pacheco
author_sort Claudia Núñez Pacheco
collection DOAJ
description Although almost two decades have passed since the term aesthetics of interaction made its appearance in design-oriented Human-Computer Interaction (HCI), the actual understanding of the concept remains fuzzy and focused on the description of qualities of what constitutes an aesthetic experience. However, by trying to describe specific aesthetic qualities emerging from technology encounters, we risk offering endless definitions of potential aesthetic traits, mostly fixated on pleasurable interactions. This approach may discard other interactive expressions that could potentially lead us to meaningful insights. Drawing on the similarities between John Dewey's aesthetic experiences, Eugene Gendlin's process model, and Martin Heidegger’s analysis of tool use, this article offers a theoretical framework towards a broader, systematized view of aesthetics of interaction. To do so, the discussion exemplifies a series of phenomenological experiences ranging from transparency to breakdown: two opposites in the understanding of how technologies reveal themselves.
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spelling doaj.art-07ab7407661e49e49e62666073af378b2024-03-08T21:33:53ZengPontificia Universidad Católica de ChileDiseña0718-84472452-42982019-08-0115Interaction Aesthetics In and Beyond the FlowClaudia Núñez Pacheco0Universidad Austral de Chile Although almost two decades have passed since the term aesthetics of interaction made its appearance in design-oriented Human-Computer Interaction (HCI), the actual understanding of the concept remains fuzzy and focused on the description of qualities of what constitutes an aesthetic experience. However, by trying to describe specific aesthetic qualities emerging from technology encounters, we risk offering endless definitions of potential aesthetic traits, mostly fixated on pleasurable interactions. This approach may discard other interactive expressions that could potentially lead us to meaningful insights. Drawing on the similarities between John Dewey's aesthetic experiences, Eugene Gendlin's process model, and Martin Heidegger’s analysis of tool use, this article offers a theoretical framework towards a broader, systematized view of aesthetics of interaction. To do so, the discussion exemplifies a series of phenomenological experiences ranging from transparency to breakdown: two opposites in the understanding of how technologies reveal themselves. https://revistadelaconstruccion.uc.cl/index.php/Disena/article/view/845Human-Computer InteractionImplying - OccurringPresent-at-bodyTransparencyBreakdown
spellingShingle Claudia Núñez Pacheco
Interaction Aesthetics In and Beyond the Flow
Diseña
Human-Computer Interaction
Implying - Occurring
Present-at-body
Transparency
Breakdown
title Interaction Aesthetics In and Beyond the Flow
title_full Interaction Aesthetics In and Beyond the Flow
title_fullStr Interaction Aesthetics In and Beyond the Flow
title_full_unstemmed Interaction Aesthetics In and Beyond the Flow
title_short Interaction Aesthetics In and Beyond the Flow
title_sort interaction aesthetics in and beyond the flow
topic Human-Computer Interaction
Implying - Occurring
Present-at-body
Transparency
Breakdown
url https://revistadelaconstruccion.uc.cl/index.php/Disena/article/view/845
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