Theatrical aesthetic and receiving text Reading in the play (Ahel Alcahve) Tawfiq al-Hakim

 Coupled drama recipient since ancient times, and constitute the pleasure derived by the theatrical text by the act of reading and viewing impetus to the demand of the receiver on the play that show, and the direct contact between supply playwright and the recipient is an advantage unique to the th...

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Main Authors: حورية حمو, حسن المصري
Format: Article
Language:Arabic
Published: tishreen university journal 2017-02-01
Series:مجلة جامعة تشرين للبحوث والدراسات العلمية- سلسلة الآداب والعلوم الانسانية
Online Access:https://journal.tishreen.edu.sy/index.php/humlitr/article/view/2411
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author حورية حمو
حسن المصري
author_facet حورية حمو
حسن المصري
author_sort حورية حمو
collection DOAJ
description  Coupled drama recipient since ancient times, and constitute the pleasure derived by the theatrical text by the act of reading and viewing impetus to the demand of the receiver on the play that show, and the direct contact between supply playwright and the recipient is an advantage unique to the theatrical art from other other arts; it is not separated from the receiver any technical barriers, and is a recipient corner base in theatrical production. Tawfiq al-Hakim has been realized that the process of theatrical communication has to be the presence of five main channels cannot be dispensed with, a playwright, director, actor, and stenographer, and the receiver; therefore Tawfiq al-Hakim work to embody these channels in the theater in general, and play (AhelAlcahve) in particular.
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series مجلة جامعة تشرين للبحوث والدراسات العلمية- سلسلة الآداب والعلوم الانسانية
spelling doaj.art-08019c69393b4df998bfc1497744a2b42023-11-27T12:37:54Zaratishreen university journalمجلة جامعة تشرين للبحوث والدراسات العلمية- سلسلة الآداب والعلوم الانسانية2079-30492663-42442017-02-01386Theatrical aesthetic and receiving text Reading in the play (Ahel Alcahve) Tawfiq al-Hakimحورية حموحسن المصري  Coupled drama recipient since ancient times, and constitute the pleasure derived by the theatrical text by the act of reading and viewing impetus to the demand of the receiver on the play that show, and the direct contact between supply playwright and the recipient is an advantage unique to the theatrical art from other other arts; it is not separated from the receiver any technical barriers, and is a recipient corner base in theatrical production. Tawfiq al-Hakim has been realized that the process of theatrical communication has to be the presence of five main channels cannot be dispensed with, a playwright, director, actor, and stenographer, and the receiver; therefore Tawfiq al-Hakim work to embody these channels in the theater in general, and play (AhelAlcahve) in particular. https://journal.tishreen.edu.sy/index.php/humlitr/article/view/2411
spellingShingle حورية حمو
حسن المصري
Theatrical aesthetic and receiving text Reading in the play (Ahel Alcahve) Tawfiq al-Hakim
مجلة جامعة تشرين للبحوث والدراسات العلمية- سلسلة الآداب والعلوم الانسانية
title Theatrical aesthetic and receiving text Reading in the play (Ahel Alcahve) Tawfiq al-Hakim
title_full Theatrical aesthetic and receiving text Reading in the play (Ahel Alcahve) Tawfiq al-Hakim
title_fullStr Theatrical aesthetic and receiving text Reading in the play (Ahel Alcahve) Tawfiq al-Hakim
title_full_unstemmed Theatrical aesthetic and receiving text Reading in the play (Ahel Alcahve) Tawfiq al-Hakim
title_short Theatrical aesthetic and receiving text Reading in the play (Ahel Alcahve) Tawfiq al-Hakim
title_sort theatrical aesthetic and receiving text reading in the play ahel alcahve tawfiq al hakim
url https://journal.tishreen.edu.sy/index.php/humlitr/article/view/2411
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