Mime, Music and Drama on the Eighteenth-Century Stage. The Ballet d'Action. Edward Nye, Cambridge-New York, Cambridge University Press, 2011

Mime, Music and Drama on the Eighteenth-Century Stage by Edward Nye (Cambridge University Press, 2011) has the merit of inspiring a strong reflection on ballet d'action, connected with cultural, literaturary and philosophic environment of Eighteenth century. The author, with brilliant insight a...

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Main Author: Stefania Onesti
Format: Article
Language:Italian
Published: University of Bologna 2012-11-01
Series:Danza e Ricerca
Online Access:http://danzaericerca.unibo.it/article/view/3276
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author Stefania Onesti
author_facet Stefania Onesti
author_sort Stefania Onesti
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description Mime, Music and Drama on the Eighteenth-Century Stage by Edward Nye (Cambridge University Press, 2011) has the merit of inspiring a strong reflection on ballet d'action, connected with cultural, literaturary and philosophic environment of Eighteenth century. The author, with brilliant insight and careful historical research, explores the most debated issues of the new genre, providing an unusual interpretation. The review traces the focal points and the structure of the book, developing further consideration of some of the most challenging aspects offered by the text.
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spelling doaj.art-0838f0b397364e6f941379570e266c9d2022-12-22T01:07:08ZitaUniversity of BolognaDanza e Ricerca2036-15992012-11-01201232592703066Mime, Music and Drama on the Eighteenth-Century Stage. The Ballet d'Action. Edward Nye, Cambridge-New York, Cambridge University Press, 2011Stefania OnestiMime, Music and Drama on the Eighteenth-Century Stage by Edward Nye (Cambridge University Press, 2011) has the merit of inspiring a strong reflection on ballet d'action, connected with cultural, literaturary and philosophic environment of Eighteenth century. The author, with brilliant insight and careful historical research, explores the most debated issues of the new genre, providing an unusual interpretation. The review traces the focal points and the structure of the book, developing further consideration of some of the most challenging aspects offered by the text.http://danzaericerca.unibo.it/article/view/3276
spellingShingle Stefania Onesti
Mime, Music and Drama on the Eighteenth-Century Stage. The Ballet d'Action. Edward Nye, Cambridge-New York, Cambridge University Press, 2011
Danza e Ricerca
title Mime, Music and Drama on the Eighteenth-Century Stage. The Ballet d'Action. Edward Nye, Cambridge-New York, Cambridge University Press, 2011
title_full Mime, Music and Drama on the Eighteenth-Century Stage. The Ballet d'Action. Edward Nye, Cambridge-New York, Cambridge University Press, 2011
title_fullStr Mime, Music and Drama on the Eighteenth-Century Stage. The Ballet d'Action. Edward Nye, Cambridge-New York, Cambridge University Press, 2011
title_full_unstemmed Mime, Music and Drama on the Eighteenth-Century Stage. The Ballet d'Action. Edward Nye, Cambridge-New York, Cambridge University Press, 2011
title_short Mime, Music and Drama on the Eighteenth-Century Stage. The Ballet d'Action. Edward Nye, Cambridge-New York, Cambridge University Press, 2011
title_sort mime music and drama on the eighteenth century stage the ballet d action edward nye cambridge new york cambridge university press 2011
url http://danzaericerca.unibo.it/article/view/3276
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