The Hand at Work or How the KGB File Leaks in the Exhibition

The article tells the story of the use and perception of images of violence from an unusual trial against a group of believers, arrested in 1952 in Ukraine. Visitors to an exhibition held in 2019 at the Museum of Art in Cluj-Napoca were invited to look at two sets of photographs: originals and spruc...

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Main Authors: Tatiana Vagramenko, Gabriela Nicolescu
Format: Article
Language:English
Published: National Museum of the Romanian Peasant 2021-11-01
Series:Martor
Subjects:
Online Access:http://martor.muzeultaranuluiroman.ro/archive/martor-26-2021/2021_02/
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author Tatiana Vagramenko
Gabriela Nicolescu
author_facet Tatiana Vagramenko
Gabriela Nicolescu
author_sort Tatiana Vagramenko
collection DOAJ
description The article tells the story of the use and perception of images of violence from an unusual trial against a group of believers, arrested in 1952 in Ukraine. Visitors to an exhibition held in 2019 at the Museum of Art in Cluj-Napoca were invited to look at two sets of photographs: originals and spruced-up copies coming from a recently opened criminal file retrieved from the SBU (former KGB) archive in Kiev. Through the reconstruction of the story of the people who suffered the arrest, we attempt to question the use of research ethics and of heritage in relation to retrieving from archives and displaying violent images of the past. What are the attributes and limits of showing? And what can we learn from the hand at work, the process of actively manipulating the image?
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spelling doaj.art-0881ac67a0cf45728f316a95b7e711b42022-12-21T20:05:21ZengNational Museum of the Romanian PeasantMartor1224-62712734-83502021-11-01262446The Hand at Work or How the KGB File Leaks in the ExhibitionTatiana Vagramenko0Gabriela Nicolescu1University of Barcelona, SpainUniversity of Oxford, United KingdomThe article tells the story of the use and perception of images of violence from an unusual trial against a group of believers, arrested in 1952 in Ukraine. Visitors to an exhibition held in 2019 at the Museum of Art in Cluj-Napoca were invited to look at two sets of photographs: originals and spruced-up copies coming from a recently opened criminal file retrieved from the SBU (former KGB) archive in Kiev. Through the reconstruction of the story of the people who suffered the arrest, we attempt to question the use of research ethics and of heritage in relation to retrieving from archives and displaying violent images of the past. What are the attributes and limits of showing? And what can we learn from the hand at work, the process of actively manipulating the image?http://martor.muzeultaranuluiroman.ro/archive/martor-26-2021/2021_02/images of violencemuseum exhibitionkgb archivesclandestine religionsoviet ukraine
spellingShingle Tatiana Vagramenko
Gabriela Nicolescu
The Hand at Work or How the KGB File Leaks in the Exhibition
Martor
images of violence
museum exhibition
kgb archives
clandestine religion
soviet ukraine
title The Hand at Work or How the KGB File Leaks in the Exhibition
title_full The Hand at Work or How the KGB File Leaks in the Exhibition
title_fullStr The Hand at Work or How the KGB File Leaks in the Exhibition
title_full_unstemmed The Hand at Work or How the KGB File Leaks in the Exhibition
title_short The Hand at Work or How the KGB File Leaks in the Exhibition
title_sort hand at work or how the kgb file leaks in the exhibition
topic images of violence
museum exhibition
kgb archives
clandestine religion
soviet ukraine
url http://martor.muzeultaranuluiroman.ro/archive/martor-26-2021/2021_02/
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