Louis-Philippe Dalembert, «vagabond jusqu’au bout de la fatigue»

The Haitian novelist and poet Louis-Philippe Dalembert (Port-au-Prince, 1962) has developed in his works of fiction the concept of vagabondage as a literary projection of his biographical wandering through multiple spaces. The aim of this essay is to study the presence of vagabondage and its dist...

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Main Author: Vignoli, Alessia
Format: Article
Language:English
Published: Fondazione Università Ca’ Foscari 2016-12-01
Series:Il Tolomeo
Subjects:
Online Access:http://doi.org/10.14277/2499-5975/Tol-18-16-3
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author Vignoli, Alessia
author_facet Vignoli, Alessia
author_sort Vignoli, Alessia
collection DOAJ
description The Haitian novelist and poet Louis-Philippe Dalembert (Port-au-Prince, 1962) has developed in his works of fiction the concept of vagabondage as a literary projection of his biographical wandering through multiple spaces. The aim of this essay is to study the presence of vagabondage and its distinctive features in those novels written by Dalembert that reflect the writer’s perpetual motion: Le Crayon du bon Dieu n’a pas de gomme (1996), L’Autre face de la mer (1998), L’Île du bout des rêves (2003), Les dieux voyagent la nuit (2006). The main characters are constantly moving, they are cosmopolitan wanderers who belong to many places at the same time, just like Dalembert himself. By analyzing the representation of movement in these fictions, we will show that the notion of vagabondage is depicted by the author as a positive and meaningful opportunity for the vagabond who travels across countries, languages and cultures.
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spelling doaj.art-088a74bba50f4b14953e36f3a0a7550c2023-10-30T08:31:07ZengFondazione Università Ca’ FoscariIl Tolomeo2499-59752016-12-0118110.14277/2499-5975/Tol-18-16-3journal_article_601Louis-Philippe Dalembert, «vagabond jusqu’au bout de la fatigue»Vignoli, Alessia0Instytut Romanistyki, Uniwersytet Warszawski, Polska The Haitian novelist and poet Louis-Philippe Dalembert (Port-au-Prince, 1962) has developed in his works of fiction the concept of vagabondage as a literary projection of his biographical wandering through multiple spaces. The aim of this essay is to study the presence of vagabondage and its distinctive features in those novels written by Dalembert that reflect the writer’s perpetual motion: Le Crayon du bon Dieu n’a pas de gomme (1996), L’Autre face de la mer (1998), L’Île du bout des rêves (2003), Les dieux voyagent la nuit (2006). The main characters are constantly moving, they are cosmopolitan wanderers who belong to many places at the same time, just like Dalembert himself. By analyzing the representation of movement in these fictions, we will show that the notion of vagabondage is depicted by the author as a positive and meaningful opportunity for the vagabond who travels across countries, languages and cultures. http://doi.org/10.14277/2499-5975/Tol-18-16-3Contemporary Haitian Literature. Louis-Philippe Dalembert. Vagabondage. Wandering
spellingShingle Vignoli, Alessia
Louis-Philippe Dalembert, «vagabond jusqu’au bout de la fatigue»
Il Tolomeo
Contemporary Haitian Literature. Louis-Philippe Dalembert. Vagabondage. Wandering
title Louis-Philippe Dalembert, «vagabond jusqu’au bout de la fatigue»
title_full Louis-Philippe Dalembert, «vagabond jusqu’au bout de la fatigue»
title_fullStr Louis-Philippe Dalembert, «vagabond jusqu’au bout de la fatigue»
title_full_unstemmed Louis-Philippe Dalembert, «vagabond jusqu’au bout de la fatigue»
title_short Louis-Philippe Dalembert, «vagabond jusqu’au bout de la fatigue»
title_sort louis philippe dalembert vagabond jusqu au bout de la fatigue
topic Contemporary Haitian Literature. Louis-Philippe Dalembert. Vagabondage. Wandering
url http://doi.org/10.14277/2499-5975/Tol-18-16-3
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