Development of a Simple Method for Labeling and Identification of Protein Binders in Art

Easel paintings are assets with an important historic and cultural value. They usually possess a multi-tiered structure, composed of different layers some of which may present protein binders, making it important to identify these materials for restoration and conservation purposes. We propose the i...

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Main Authors: Su Yin Ooi, Cátia Salvador, Sergio Martins, António Pereira, Ana Teresa Caldeira, João P Prates Ramalho
Format: Article
Language:English
Published: MDPI AG 2019-08-01
Series:Heritage
Subjects:
Online Access:https://www.mdpi.com/2571-9408/2/3/150
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author Su Yin Ooi
Cátia Salvador
Sergio Martins
António Pereira
Ana Teresa Caldeira
João P Prates Ramalho
author_facet Su Yin Ooi
Cátia Salvador
Sergio Martins
António Pereira
Ana Teresa Caldeira
João P Prates Ramalho
author_sort Su Yin Ooi
collection DOAJ
description Easel paintings are assets with an important historic and cultural value. They usually possess a multi-tiered structure, composed of different layers some of which may present protein binders, making it important to identify these materials for restoration and conservation purposes. We propose the identification of different protein binders by a new fluorescent labeling method employing a coumarin based chromophore, C392STP (sodium(E/Z)-4-(4-(2-(6,7-dimethoxycoumarin-3-yl)vinyl)benzoyl)-2,3,5,6-tetrafluorobenzenesulfo-nate). The method was optimized using commercial proteins and was further tested on proteins extracted from hen’s egg yolk, white bovine milk, and rabbit skin glue. To model more realistic conditions, paint models of easel paintings were prepared. The paint models were made with hen’s egg yolk, white bovine milk, and rabbit skin glue, mixed with different pigments and submitted to artificial aging. Then the extracted proteins from the paint models were labeled with C392 which allowed a sensitive and selective identification by polyacrylamide gel electrophoresis (PAGE) of the different protein binders used. As a final test, three 19th century easel paintings, from the Italian painter Giorgio Marini, were analyzed. The results show the potential of the proposed method for the identification of protein binders present in easel paintings.
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spelling doaj.art-08b5dce8260843c89dd726aefea9adbc2022-12-22T03:50:19ZengMDPI AGHeritage2571-94082019-08-01232444245610.3390/heritage2030150heritage2030150Development of a Simple Method for Labeling and Identification of Protein Binders in ArtSu Yin Ooi0Cátia Salvador1Sergio Martins2António Pereira3Ana Teresa Caldeira4João P Prates Ramalho5HERCULES Laboratory, Universidade of Évora, Largo Marquês de Marialva 8, 7000-809 Évora, PortugalHERCULES Laboratory, Universidade of Évora, Largo Marquês de Marialva 8, 7000-809 Évora, PortugalHERCULES Laboratory, Universidade of Évora, Largo Marquês de Marialva 8, 7000-809 Évora, PortugalHERCULES Laboratory, Universidade of Évora, Largo Marquês de Marialva 8, 7000-809 Évora, PortugalHERCULES Laboratory, Universidade of Évora, Largo Marquês de Marialva 8, 7000-809 Évora, PortugalChemistry Department, School of Sciences and Technology, Universidade of Évora, Rua Romão Ramalho 59, 7000-671 Évora, PortugalEasel paintings are assets with an important historic and cultural value. They usually possess a multi-tiered structure, composed of different layers some of which may present protein binders, making it important to identify these materials for restoration and conservation purposes. We propose the identification of different protein binders by a new fluorescent labeling method employing a coumarin based chromophore, C392STP (sodium(E/Z)-4-(4-(2-(6,7-dimethoxycoumarin-3-yl)vinyl)benzoyl)-2,3,5,6-tetrafluorobenzenesulfo-nate). The method was optimized using commercial proteins and was further tested on proteins extracted from hen’s egg yolk, white bovine milk, and rabbit skin glue. To model more realistic conditions, paint models of easel paintings were prepared. The paint models were made with hen’s egg yolk, white bovine milk, and rabbit skin glue, mixed with different pigments and submitted to artificial aging. Then the extracted proteins from the paint models were labeled with C392 which allowed a sensitive and selective identification by polyacrylamide gel electrophoresis (PAGE) of the different protein binders used. As a final test, three 19th century easel paintings, from the Italian painter Giorgio Marini, were analyzed. The results show the potential of the proposed method for the identification of protein binders present in easel paintings.https://www.mdpi.com/2571-9408/2/3/150fluorescent labelling methodcoumarinsprotein binderseasel paintingselectrophoretic profiling
spellingShingle Su Yin Ooi
Cátia Salvador
Sergio Martins
António Pereira
Ana Teresa Caldeira
João P Prates Ramalho
Development of a Simple Method for Labeling and Identification of Protein Binders in Art
Heritage
fluorescent labelling method
coumarins
protein binders
easel paintings
electrophoretic profiling
title Development of a Simple Method for Labeling and Identification of Protein Binders in Art
title_full Development of a Simple Method for Labeling and Identification of Protein Binders in Art
title_fullStr Development of a Simple Method for Labeling and Identification of Protein Binders in Art
title_full_unstemmed Development of a Simple Method for Labeling and Identification of Protein Binders in Art
title_short Development of a Simple Method for Labeling and Identification of Protein Binders in Art
title_sort development of a simple method for labeling and identification of protein binders in art
topic fluorescent labelling method
coumarins
protein binders
easel paintings
electrophoretic profiling
url https://www.mdpi.com/2571-9408/2/3/150
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