Charles Baudelaire y la fotografía: el ojo-cámara del poeta
In Charles Baudelaire’s «Tableaux parisiens» and Le Spleen de Paris, an eye-camera that takes pictures of reality operates in a latent way. This photographic metaphor allows the poet to capture the Parisian landscape to fix it in the positive of poetry. In this article we analyze Baudelairian po...
| Main Author: | |
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| Format: | Article |
| Language: | Spanish |
| Published: |
Asociación de Francesistas de la Universidad Española (AFUE)
2015-04-01
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| Series: | Çédille: Revista de Estudios Franceses |
| Subjects: | |
| Online Access: | http://cedille.webs.ull.es/11-DEF/05cabo.pdf |
| _version_ | 1811248662138847232 |
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| author | Mariana de Cabo |
| author_facet | Mariana de Cabo |
| author_sort | Mariana de Cabo |
| collection | DOAJ |
| description | In Charles Baudelaire’s «Tableaux parisiens» and Le Spleen de Paris, an eye-camera that takes pictures of reality operates in a latent way.
This photographic metaphor allows the poet to capture the Parisian landscape to fix it in the positive of poetry.
In this article we analyze Baudelairian poetics by an interdisciplinary perspective that combines the language of literature and photography. We will use as theoretical framework Philippe Hamon’s semiological approach and Walter Benjamin Marxist theory. |
| first_indexed | 2024-04-12T15:32:00Z |
| format | Article |
| id | doaj.art-08f7d4f259774a269d7b105ee2438574 |
| institution | Directory Open Access Journal |
| issn | 1699-4949 |
| language | Spanish |
| last_indexed | 2024-04-12T15:32:00Z |
| publishDate | 2015-04-01 |
| publisher | Asociación de Francesistas de la Universidad Española (AFUE) |
| record_format | Article |
| series | Çédille: Revista de Estudios Franceses |
| spelling | doaj.art-08f7d4f259774a269d7b105ee24385742022-12-22T03:27:03ZspaAsociación de Francesistas de la Universidad Española (AFUE)Çédille: Revista de Estudios Franceses1699-49492015-04-01112015103114Charles Baudelaire y la fotografía: el ojo-cámara del poetaMariana de Cabo0Universidad Católica ArgentinaIn Charles Baudelaire’s «Tableaux parisiens» and Le Spleen de Paris, an eye-camera that takes pictures of reality operates in a latent way. This photographic metaphor allows the poet to capture the Parisian landscape to fix it in the positive of poetry. In this article we analyze Baudelairian poetics by an interdisciplinary perspective that combines the language of literature and photography. We will use as theoretical framework Philippe Hamon’s semiological approach and Walter Benjamin Marxist theory.http://cedille.webs.ull.es/11-DEF/05cabo.pdfpoetryphotographyCharles BaudelaireParis |
| spellingShingle | Mariana de Cabo Charles Baudelaire y la fotografía: el ojo-cámara del poeta Çédille: Revista de Estudios Franceses poetry photography Charles Baudelaire Paris |
| title | Charles Baudelaire y la fotografía: el ojo-cámara del poeta |
| title_full | Charles Baudelaire y la fotografía: el ojo-cámara del poeta |
| title_fullStr | Charles Baudelaire y la fotografía: el ojo-cámara del poeta |
| title_full_unstemmed | Charles Baudelaire y la fotografía: el ojo-cámara del poeta |
| title_short | Charles Baudelaire y la fotografía: el ojo-cámara del poeta |
| title_sort | charles baudelaire y la fotografia el ojo camara del poeta |
| topic | poetry photography Charles Baudelaire Paris |
| url | http://cedille.webs.ull.es/11-DEF/05cabo.pdf |
| work_keys_str_mv | AT marianadecabo charlesbaudelaireylafotografiaelojocamaradelpoeta |