Teatralitatea muzicii vocale camerale
The Theatricality of Vocal Chamber Music In a wider sense, the first form of devising in the music world was ‘dramma per musica’ in the seventeenth century, but also the early cantata. Another genre, born in the nineteenth century, in the alloy of music with poetry, is lied. His roots are found i...
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| Format: | Article |
| Language: | English |
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UArtPres
2017-12-01
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| Series: | Symbolon |
| Subjects: | |
| Online Access: | http://uartpress.ro/journals/index.php/symbolon/article/view/85 |
| _version_ | 1797947936696434688 |
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| author | Daniela Păcurar-Neamț |
| author_facet | Daniela Păcurar-Neamț |
| author_sort | Daniela Păcurar-Neamț |
| collection | DOAJ |
| description | The Theatricality of Vocal Chamber Music
In a wider sense, the first form of devising in the music world was ‘dramma per musica’ in the seventeenth century, but also the early cantata. Another genre, born in the nineteenth century, in the alloy of music with poetry, is lied. His roots are found in improvised play on certain themes, attested in the salons of romantic artists. This is how the famous miniature cycle “Die Schöne Müllerin” by Franz Schubert, and others has appeared.
In the 21st century, the genre changes its content or timbral composition, among the forms of expression that the interpreter can use are also the theatrical ones. The mime, the gesture, the posture, the costume, the stage movement and eventually the set design’s details enrich the interpretation of intrinsic musical dramaturgy. An analysis of the possible theatrical „counterpoints” deepen my own interpretative vision on the work “Elegie for a Wine Barrel” composed by Violeta Dinescu. |
| first_indexed | 2024-04-10T21:35:32Z |
| format | Article |
| id | doaj.art-09194d70e67d403094457bb9a5a8a7a1 |
| institution | Directory Open Access Journal |
| issn | 1582-327X 2344-4460 |
| language | English |
| last_indexed | 2024-04-10T21:35:32Z |
| publishDate | 2017-12-01 |
| publisher | UArtPres |
| record_format | Article |
| series | Symbolon |
| spelling | doaj.art-09194d70e67d403094457bb9a5a8a7a12023-01-19T11:56:04ZengUArtPresSymbolon1582-327X2344-44602017-12-01182(33)11212385Teatralitatea muzicii vocale cameraleDaniela Păcurar-Neamț0University of Arts Târgu MureșThe Theatricality of Vocal Chamber Music In a wider sense, the first form of devising in the music world was ‘dramma per musica’ in the seventeenth century, but also the early cantata. Another genre, born in the nineteenth century, in the alloy of music with poetry, is lied. His roots are found in improvised play on certain themes, attested in the salons of romantic artists. This is how the famous miniature cycle “Die Schöne Müllerin” by Franz Schubert, and others has appeared. In the 21st century, the genre changes its content or timbral composition, among the forms of expression that the interpreter can use are also the theatrical ones. The mime, the gesture, the posture, the costume, the stage movement and eventually the set design’s details enrich the interpretation of intrinsic musical dramaturgy. An analysis of the possible theatrical „counterpoints” deepen my own interpretative vision on the work “Elegie for a Wine Barrel” composed by Violeta Dinescu.http://uartpress.ro/journals/index.php/symbolon/article/view/85musicchamber |
| spellingShingle | Daniela Păcurar-Neamț Teatralitatea muzicii vocale camerale Symbolon music chamber |
| title | Teatralitatea muzicii vocale camerale |
| title_full | Teatralitatea muzicii vocale camerale |
| title_fullStr | Teatralitatea muzicii vocale camerale |
| title_full_unstemmed | Teatralitatea muzicii vocale camerale |
| title_short | Teatralitatea muzicii vocale camerale |
| title_sort | teatralitatea muzicii vocale camerale |
| topic | music chamber |
| url | http://uartpress.ro/journals/index.php/symbolon/article/view/85 |
| work_keys_str_mv | AT danielapacurarneamt teatralitateamuziciivocalecamerale |