When ‘Law’ Rhymes with ‘Flaw’: the Sounds of British Justice in Gilbert and Sullivan’s Trial by Jury (1875)

Gilbert and Sullivan’s second operatic collaboration, Trial by Jury (1875) is often discarded as a ‘minor’ work, compared to their later, better-known operas such as The Pirates of Penzance (1879), The Mikado (1885) or The Gondoliers (1889). Yet I would argue that as early as the mid-1870s, the comp...

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Main Author: Joël Richard
Format: Article
Language:English
Published: Presses Universitaires de la Méditerranée 2021-01-01
Series:Cahiers Victoriens et Edouardiens
Subjects:
Online Access:http://journals.openedition.org/cve/9845
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author Joël Richard
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author_sort Joël Richard
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description Gilbert and Sullivan’s second operatic collaboration, Trial by Jury (1875) is often discarded as a ‘minor’ work, compared to their later, better-known operas such as The Pirates of Penzance (1879), The Mikado (1885) or The Gondoliers (1889). Yet I would argue that as early as the mid-1870s, the composer-and-librettist duo had successfully started working on what might be perceived by their audience as the ‘sound’ best fit to satirize a number of Victorian institutions—here, the judicial system, turned topsy-turvy by a banal breach of promise case. Their already clever play on tessitura, the many echoes of grand Italian opera tunes and their attempt at rendering the comical and ludicrous atmosphere of the courtroom all coalesced to make Trial by Jury a key example of how both their witty words and catchy notes were—back then and are still now—heard as truly British.
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spelling doaj.art-093f8362ceb44ecca610e88ffc69e5292022-12-21T21:23:41ZengPresses Universitaires de la MéditerranéeCahiers Victoriens et Edouardiens0220-56102271-61492021-01-019410.4000/cve.9845When ‘Law’ Rhymes with ‘Flaw’: the Sounds of British Justice in Gilbert and Sullivan’s Trial by Jury (1875)Joël RichardGilbert and Sullivan’s second operatic collaboration, Trial by Jury (1875) is often discarded as a ‘minor’ work, compared to their later, better-known operas such as The Pirates of Penzance (1879), The Mikado (1885) or The Gondoliers (1889). Yet I would argue that as early as the mid-1870s, the composer-and-librettist duo had successfully started working on what might be perceived by their audience as the ‘sound’ best fit to satirize a number of Victorian institutions—here, the judicial system, turned topsy-turvy by a banal breach of promise case. Their already clever play on tessitura, the many echoes of grand Italian opera tunes and their attempt at rendering the comical and ludicrous atmosphere of the courtroom all coalesced to make Trial by Jury a key example of how both their witty words and catchy notes were—back then and are still now—heard as truly British.http://journals.openedition.org/cve/9845musicGilbert and Sullivancomic operasatirelaw
spellingShingle Joël Richard
When ‘Law’ Rhymes with ‘Flaw’: the Sounds of British Justice in Gilbert and Sullivan’s Trial by Jury (1875)
Cahiers Victoriens et Edouardiens
music
Gilbert and Sullivan
comic opera
satire
law
title When ‘Law’ Rhymes with ‘Flaw’: the Sounds of British Justice in Gilbert and Sullivan’s Trial by Jury (1875)
title_full When ‘Law’ Rhymes with ‘Flaw’: the Sounds of British Justice in Gilbert and Sullivan’s Trial by Jury (1875)
title_fullStr When ‘Law’ Rhymes with ‘Flaw’: the Sounds of British Justice in Gilbert and Sullivan’s Trial by Jury (1875)
title_full_unstemmed When ‘Law’ Rhymes with ‘Flaw’: the Sounds of British Justice in Gilbert and Sullivan’s Trial by Jury (1875)
title_short When ‘Law’ Rhymes with ‘Flaw’: the Sounds of British Justice in Gilbert and Sullivan’s Trial by Jury (1875)
title_sort when law rhymes with flaw the sounds of british justice in gilbert and sullivan s trial by jury 1875
topic music
Gilbert and Sullivan
comic opera
satire
law
url http://journals.openedition.org/cve/9845
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