The “Master of the Disrobing of Christ (<em>El Espolio</em>) of Budapest”. A member of Greco’s circle identified
<p>At f irst sight, the <em>Disrobing of Christ </em>(<em>E</em><em>l Espolio</em>) in the Szépművészeti Museum in Budapest shocks and almost repels one due to the hardness of the canvas surface and of the forms, at least in so far as the hard sky is concer...
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| Format: | Article |
| Language: | Spanish |
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Universidad de Granada
2009-12-01
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| Series: | Cuadernos de Arte de la Universidad de Granada |
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| Online Access: | http://revistaseug.ugr.es/index.php/caug/article/view/253 |
| Summary: | <p>At f irst sight, the <em>Disrobing of Christ </em>(<em>E</em><em>l Espolio</em>) in the Szépművészeti Museum in Budapest shocks and almost repels one due to the hardness of the canvas surface and of the forms, at least in so far as the hard sky is concerned. The style seems in entire opposition to that of El Greco. This paper analyses this style, and argues that it was deliberately chosen and realized by an artist belonging to El Greco’s “circle”.</p> |
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| ISSN: | 0210-962X 2445-4567 |