The “Master of the Disrobing of Christ (<em>El Espolio</em>) of Budapest”. A member of Greco’s circle identified

<p>At f irst sight, the <em>Disrobing of Christ </em>(<em>E</em><em>l Espolio</em>) in the Szépművészeti  Museum in Budapest shocks and almost repels one due to the hardness of the canvas surface and of the forms, at least in so far as the hard sky is concer...

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Main Author: István Barkóczi
Format: Article
Language:Spanish
Published: Universidad de Granada 2009-12-01
Series:Cuadernos de Arte de la Universidad de Granada
Subjects:
Online Access:http://revistaseug.ugr.es/index.php/caug/article/view/253
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author István Barkóczi
author_facet István Barkóczi
author_sort István Barkóczi
collection DOAJ
description <p>At f irst sight, the <em>Disrobing of Christ </em>(<em>E</em><em>l Espolio</em>) in the Szépművészeti  Museum in Budapest shocks and almost repels one due to the hardness of the canvas surface and of the forms, at least in so far as the hard sky is concerned. The style seems in entire opposition to that of El Greco. This paper analyses this style, and argues that it was deliberately chosen and realized by an artist belonging to El Greco’s “circle”.</p>
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spelling doaj.art-0a1e84a54f3d4239a5a87e1ca957df692022-12-22T03:54:16ZspaUniversidad de GranadaCuadernos de Arte de la Universidad de Granada0210-962X2445-45672009-12-014006368248The “Master of the Disrobing of Christ (<em>El Espolio</em>) of Budapest”. A member of Greco’s circle identifiedIstván Barkóczi0Conservador independiente, Budapest<p>At f irst sight, the <em>Disrobing of Christ </em>(<em>E</em><em>l Espolio</em>) in the Szépművészeti  Museum in Budapest shocks and almost repels one due to the hardness of the canvas surface and of the forms, at least in so far as the hard sky is concerned. The style seems in entire opposition to that of El Greco. This paper analyses this style, and argues that it was deliberately chosen and realized by an artist belonging to El Greco’s “circle”.</p>http://revistaseug.ugr.es/index.php/caug/article/view/253Pintura españolaCírculo del GrecoMuseosMaestro de El Espolio de BudapestEl Greco
spellingShingle István Barkóczi
The “Master of the Disrobing of Christ (<em>El Espolio</em>) of Budapest”. A member of Greco’s circle identified
Cuadernos de Arte de la Universidad de Granada
Pintura española
Círculo del Greco
Museos
Maestro de El Espolio de Budapest
El Greco
title The “Master of the Disrobing of Christ (<em>El Espolio</em>) of Budapest”. A member of Greco’s circle identified
title_full The “Master of the Disrobing of Christ (<em>El Espolio</em>) of Budapest”. A member of Greco’s circle identified
title_fullStr The “Master of the Disrobing of Christ (<em>El Espolio</em>) of Budapest”. A member of Greco’s circle identified
title_full_unstemmed The “Master of the Disrobing of Christ (<em>El Espolio</em>) of Budapest”. A member of Greco’s circle identified
title_short The “Master of the Disrobing of Christ (<em>El Espolio</em>) of Budapest”. A member of Greco’s circle identified
title_sort master of the disrobing of christ em el espolio em of budapest a member of greco s circle identified
topic Pintura española
Círculo del Greco
Museos
Maestro de El Espolio de Budapest
El Greco
url http://revistaseug.ugr.es/index.php/caug/article/view/253
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AT istvanbarkoczi masterofthedisrobingofchristemelespolioemofbudapestamemberofgrecoscircleidentified