Subjectivation modes on cinema and art: a regard over Eija-Liisa Athila’s installations
The recurrent multiplication of cinematographic works in museums and galleries allows us to reflect on possible changes in cinema and art institutions, and the regimes of subjectivity historically involved. This article intends to conduct a reflection on the modes of subjectivity in contemporary cin...
| Main Author: | |
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| Format: | Article |
| Language: | English |
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Pontíficia Universidade Católica de São Paulo
2011-11-01
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| Series: | Galáxia |
| Subjects: | |
| Online Access: | https://revistas.pucsp.br/galaxia/article/view/7034 |
| _version_ | 1819009881785499648 |
|---|---|
| author | Victa de Carvalho |
| author_facet | Victa de Carvalho |
| author_sort | Victa de Carvalho |
| collection | DOAJ |
| description | The recurrent multiplication of cinematographic works in museums and galleries allows us to reflect on possible changes in cinema and art institutions, and the regimes of subjectivity historically involved. This article intends to conduct a reflection on the modes of subjectivity in contemporary cinematographic and artistic experience through the works “Consolation Service” and “Today” from Eija-Liisa Athila. Her human dramas transverse questions about the limits of self and others in situations where reality and fiction cannot be separated. |
| first_indexed | 2024-12-21T01:03:25Z |
| format | Article |
| id | doaj.art-0a39f59ef30c43aea4459bc640b14c7a |
| institution | Directory Open Access Journal |
| issn | 1519-311X 1982-2553 |
| language | English |
| last_indexed | 2024-12-21T01:03:25Z |
| publishDate | 2011-11-01 |
| publisher | Pontíficia Universidade Católica de São Paulo |
| record_format | Article |
| series | Galáxia |
| spelling | doaj.art-0a39f59ef30c43aea4459bc640b14c7a2022-12-21T19:21:07ZengPontíficia Universidade Católica de São PauloGaláxia1519-311X1982-25532011-11-010225576Subjectivation modes on cinema and art: a regard over Eija-Liisa Athila’s installationsVicta de Carvalho0ECO/UFRJThe recurrent multiplication of cinematographic works in museums and galleries allows us to reflect on possible changes in cinema and art institutions, and the regimes of subjectivity historically involved. This article intends to conduct a reflection on the modes of subjectivity in contemporary cinematographic and artistic experience through the works “Consolation Service” and “Today” from Eija-Liisa Athila. Her human dramas transverse questions about the limits of self and others in situations where reality and fiction cannot be separated.https://revistas.pucsp.br/galaxia/article/view/7034dispositivoinstalaçãoEija-Liisa Athilasubjetivação |
| spellingShingle | Victa de Carvalho Subjectivation modes on cinema and art: a regard over Eija-Liisa Athila’s installations Galáxia dispositivo instalação Eija-Liisa Athila subjetivação |
| title | Subjectivation modes on cinema and art: a regard over Eija-Liisa Athila’s installations |
| title_full | Subjectivation modes on cinema and art: a regard over Eija-Liisa Athila’s installations |
| title_fullStr | Subjectivation modes on cinema and art: a regard over Eija-Liisa Athila’s installations |
| title_full_unstemmed | Subjectivation modes on cinema and art: a regard over Eija-Liisa Athila’s installations |
| title_short | Subjectivation modes on cinema and art: a regard over Eija-Liisa Athila’s installations |
| title_sort | subjectivation modes on cinema and art a regard over eija liisa athila s installations |
| topic | dispositivo instalação Eija-Liisa Athila subjetivação |
| url | https://revistas.pucsp.br/galaxia/article/view/7034 |
| work_keys_str_mv | AT victadecarvalho subjectivationmodesoncinemaandartaregardovereijaliisaathilasinstallations |