Mundo clásico y ciencia ficción o cómo construir una utopía feminista: The Gate to Women’s Country de Sheri Tepper
This paper offers an analysis of Sheri Tepper’s novel, The Gate to Women’s Country, through the lenses of Classical Reception and feminist reinterpretation, aligning with Hardwick’s theoretical framework and drawing upon the specific conceptual propositions of Ostriker, Keen and Durand. Tepper...
Main Authors: | Rosario López Gregoris, Cristina Salcedo González |
---|---|
Format: | Article |
Language: | deu |
Published: |
Université de Lille
2024-01-01
|
Series: | Eugesta |
Online Access: | http://www.peren-revues.fr/eugesta/index.php?id=1469 |
Similar Items
-
A Study of Transgressed Boundaries in The Gate to Women’s Country by Sheri S. Tepper
by: Ewa Wiśniewska
Published: (2024-11-01) -
“WE DID BECOME”: SHERI S. TEPPER’S "GRASS" AND POSTHUMAN COMPANIONSHIP BEYOND THE ANIMAL/HUMAN BINARY
by: Ángela LÓPEZ-GARCÍA
Published: (2022-06-01) -
“Wheels turning in opposite directions”: the Utopian Dynamics of Individual and Collective Temporality in Ursula K. Le Guin’s The Dispossessed and Sheri S. Tepper’s The Gate to Women’s Country
by: Sarah Lohmann
Published: (2022-12-01) -
Response to Tepper
by: Willam Rothman
Published: (2002-02-01) -
Women and Women: Use of Women Types as Rhetorical Techniques in Atwood’s Handmaid’s Tale and Tepper’s Gate to Women’s Country.
by: William Bowman
Published: (2014-12-01)