The Restoration of Paintings at the Imperial Hermitage (Saint-Petersburg) at the Beginning of the 19th Century

The beginning of the 19th century was a period of formation of restoration school in Russia. F.K.Labensky, Curator of the Hermitage Picture Gallery from 1797 onwards till 1850, arranged a restoration studio with a permanent staff working on Imperial painting collection.  Labensky’s assistant, a rest...

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Main Author: Mariam Nikogosyan
Format: Article
Language:English
Published: Association CeROArt 2012-04-01
Series:CeROArt : Conservation, Exposition, Restauration d'Objets d'Art
Subjects:
Online Access:http://journals.openedition.org/ceroart/2344
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author Mariam Nikogosyan
author_facet Mariam Nikogosyan
author_sort Mariam Nikogosyan
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description The beginning of the 19th century was a period of formation of restoration school in Russia. F.K.Labensky, Curator of the Hermitage Picture Gallery from 1797 onwards till 1850, arranged a restoration studio with a permanent staff working on Imperial painting collection.  Labensky’s assistant, a restorer A.F. Mitrokhin learned all known techniques of mechanical restoration – relining, cradling and even transfer of paintings, - and developed them on his own. A special school was established by the Hermitage studio in 1819, supervised by Mitrokhin, were young graduates of Imperial Academy of Art were taught both mechanical and painting restoration. The apprentices of Mitrokhin school passed his techniques to next generation of Hermitage restorers.
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spelling doaj.art-0b8e489188994f5298aad3055adc727b2022-12-21T19:19:24ZengAssociation CeROArtCeROArt : Conservation, Exposition, Restauration d'Objets d'Art1784-50922012-04-0110.4000/ceroart.2344The Restoration of Paintings at the Imperial Hermitage (Saint-Petersburg) at the Beginning of the 19th CenturyMariam NikogosyanThe beginning of the 19th century was a period of formation of restoration school in Russia. F.K.Labensky, Curator of the Hermitage Picture Gallery from 1797 onwards till 1850, arranged a restoration studio with a permanent staff working on Imperial painting collection.  Labensky’s assistant, a restorer A.F. Mitrokhin learned all known techniques of mechanical restoration – relining, cradling and even transfer of paintings, - and developed them on his own. A special school was established by the Hermitage studio in 1819, supervised by Mitrokhin, were young graduates of Imperial Academy of Art were taught both mechanical and painting restoration. The apprentices of Mitrokhin school passed his techniques to next generation of Hermitage restorers.http://journals.openedition.org/ceroart/2344restorationHermitageLabenskyMitrokhinschooltransfer
spellingShingle Mariam Nikogosyan
The Restoration of Paintings at the Imperial Hermitage (Saint-Petersburg) at the Beginning of the 19th Century
CeROArt : Conservation, Exposition, Restauration d'Objets d'Art
restoration
Hermitage
Labensky
Mitrokhin
school
transfer
title The Restoration of Paintings at the Imperial Hermitage (Saint-Petersburg) at the Beginning of the 19th Century
title_full The Restoration of Paintings at the Imperial Hermitage (Saint-Petersburg) at the Beginning of the 19th Century
title_fullStr The Restoration of Paintings at the Imperial Hermitage (Saint-Petersburg) at the Beginning of the 19th Century
title_full_unstemmed The Restoration of Paintings at the Imperial Hermitage (Saint-Petersburg) at the Beginning of the 19th Century
title_short The Restoration of Paintings at the Imperial Hermitage (Saint-Petersburg) at the Beginning of the 19th Century
title_sort restoration of paintings at the imperial hermitage saint petersburg at the beginning of the 19th century
topic restoration
Hermitage
Labensky
Mitrokhin
school
transfer
url http://journals.openedition.org/ceroart/2344
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