THE SOPRANO VOICE TYPE AND IT’S IMPORTANCE WITHIN THE OPERETTA GENRE
This hereby study has two main parts, uneven in length. In the first part we have attempted to classify the types of voices within the genre of operetta, while detailing their functional aspects, focusing on the analysis of the use of the soprano voice for the roles of prima donna and grande dame. I...
| Main Author: | |
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| Format: | Article |
| Language: | English |
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Babeș-Bolyai University
2018-12-01
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| Series: | Studia Universitatis Babeş-Bolyai. Musica |
| Subjects: | |
| Online Access: | http://193.231.18.162/index.php/subbmusica/article/view/2335 |
| _version_ | 1797365121631125504 |
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| author | Eva-Elena JORDAN |
| author_facet | Eva-Elena JORDAN |
| author_sort | Eva-Elena JORDAN |
| collection | DOAJ |
| description | This hereby study has two main parts, uneven in length. In the first part we have attempted to classify the types of voices within the genre of operetta, while detailing their functional aspects, focusing on the analysis of the use of the soprano voice for the roles of prima donna and grande dame. In our second part, we have presented the main female roles of the 14 operettas that we will analyze within our doctoral research, classified from the standpoint of their authors. We have also added some interesting facts concerning the great Hungarian operetta composers, as well as mentioned famous performers who portrayed the main roles of these operettas during the time they were performed. |
| first_indexed | 2024-03-08T16:44:47Z |
| format | Article |
| id | doaj.art-0b901af09de246388652ad1968745510 |
| institution | Directory Open Access Journal |
| issn | 1844-4369 2065-9628 |
| language | English |
| last_indexed | 2024-03-08T16:44:47Z |
| publishDate | 2018-12-01 |
| publisher | Babeș-Bolyai University |
| record_format | Article |
| series | Studia Universitatis Babeş-Bolyai. Musica |
| spelling | doaj.art-0b901af09de246388652ad19687455102024-01-05T09:41:37ZengBabeș-Bolyai UniversityStudia Universitatis Babeş-Bolyai. Musica1844-43692065-96282018-12-0163210.24193/subbmusica.2018.2.09THE SOPRANO VOICE TYPE AND IT’S IMPORTANCE WITHIN THE OPERETTA GENREEva-Elena JORDAN0PhD Student, “Gheorghe Dima” Academy of Music, Cluj-Napoca; Soloist at the Hungarian Opera of Cluj, and associate faculty member at Babeş-Bolyai University, Faculty of Reformed Theology.This hereby study has two main parts, uneven in length. In the first part we have attempted to classify the types of voices within the genre of operetta, while detailing their functional aspects, focusing on the analysis of the use of the soprano voice for the roles of prima donna and grande dame. In our second part, we have presented the main female roles of the 14 operettas that we will analyze within our doctoral research, classified from the standpoint of their authors. We have also added some interesting facts concerning the great Hungarian operetta composers, as well as mentioned famous performers who portrayed the main roles of these operettas during the time they were performed. http://193.231.18.162/index.php/subbmusica/article/view/2335prima donna, grande dame, lyrical soprano, spinto soprano. |
| spellingShingle | Eva-Elena JORDAN THE SOPRANO VOICE TYPE AND IT’S IMPORTANCE WITHIN THE OPERETTA GENRE Studia Universitatis Babeş-Bolyai. Musica prima donna, grande dame, lyrical soprano, spinto soprano. |
| title | THE SOPRANO VOICE TYPE AND IT’S IMPORTANCE WITHIN THE OPERETTA GENRE |
| title_full | THE SOPRANO VOICE TYPE AND IT’S IMPORTANCE WITHIN THE OPERETTA GENRE |
| title_fullStr | THE SOPRANO VOICE TYPE AND IT’S IMPORTANCE WITHIN THE OPERETTA GENRE |
| title_full_unstemmed | THE SOPRANO VOICE TYPE AND IT’S IMPORTANCE WITHIN THE OPERETTA GENRE |
| title_short | THE SOPRANO VOICE TYPE AND IT’S IMPORTANCE WITHIN THE OPERETTA GENRE |
| title_sort | soprano voice type and it s importance within the operetta genre |
| topic | prima donna, grande dame, lyrical soprano, spinto soprano. |
| url | http://193.231.18.162/index.php/subbmusica/article/view/2335 |
| work_keys_str_mv | AT evaelenajordan thesopranovoicetypeanditsimportancewithintheoperettagenre AT evaelenajordan sopranovoicetypeanditsimportancewithintheoperettagenre |