Metaphors and Metamorphosis:

Ismat Chughtai, a prominent feminist writer of twentieth century India, has often been criticized for her iconoclastic stand on the treatment of female sexuality in her stories though she has always used strong metaphors to subtly express such boldness in her heroines. In “The Homemaker,” she prese...

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Main Author: Shantanu Das
Format: Article
Language:English
Published: ULAB Press 2021-09-01
Series:Crossings
Subjects:
Online Access:https://journals.ulab.edu.bd/index.php/crossings/article/view/24
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author Shantanu Das
author_facet Shantanu Das
author_sort Shantanu Das
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description Ismat Chughtai, a prominent feminist writer of twentieth century India, has often been criticized for her iconoclastic stand on the treatment of female sexuality in her stories though she has always used strong metaphors to subtly express such boldness in her heroines. In “The Homemaker,” she presents the characters, Lajo and Mirza, in a relationship that involves a certain pattern of sexual politics. Mirza, driven by Lajo’s sexuality, falls in love with her, and, bugged by his sense of religiosity and patriarchy, attempts to make a “decent” woman out of her. Chughtai’s brilliant narrative establishes here two strong metaphors, lehnga (a long skirt worn by Indian women) and pyjamas (trousers worn by Indian women), to capture two phases of metamorphosis that Lajo goes through from being a maid to becoming a homemaker first, and then from a maid to a wife, followed by a retreat to being a homemaker again. Drawing from Simon de Beauvoir’s theoretical reflections on sexual politics, this paper will show how Lajo’s journey from lehnga to pyjamas, and her retreat from pyjamas to lehnga metaphorically tell the story of her metamorphosis within the sexual politics of her relationship with Mirza.
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spelling doaj.art-0b9ac180df5549a891aa880333745a9b2023-10-16T04:20:54ZengULAB PressCrossings2071-11072958-31792021-09-011210.59817/cjes.v12i.24Metaphors and Metamorphosis:Shantanu Das0Assistant Professor, Department of English Language and Literature, Premier University, Bangladesh Ismat Chughtai, a prominent feminist writer of twentieth century India, has often been criticized for her iconoclastic stand on the treatment of female sexuality in her stories though she has always used strong metaphors to subtly express such boldness in her heroines. In “The Homemaker,” she presents the characters, Lajo and Mirza, in a relationship that involves a certain pattern of sexual politics. Mirza, driven by Lajo’s sexuality, falls in love with her, and, bugged by his sense of religiosity and patriarchy, attempts to make a “decent” woman out of her. Chughtai’s brilliant narrative establishes here two strong metaphors, lehnga (a long skirt worn by Indian women) and pyjamas (trousers worn by Indian women), to capture two phases of metamorphosis that Lajo goes through from being a maid to becoming a homemaker first, and then from a maid to a wife, followed by a retreat to being a homemaker again. Drawing from Simon de Beauvoir’s theoretical reflections on sexual politics, this paper will show how Lajo’s journey from lehnga to pyjamas, and her retreat from pyjamas to lehnga metaphorically tell the story of her metamorphosis within the sexual politics of her relationship with Mirza. https://journals.ulab.edu.bd/index.php/crossings/article/view/24metaphorsmetamorphosissexual politicspatriarchy
spellingShingle Shantanu Das
Metaphors and Metamorphosis:
Crossings
metaphors
metamorphosis
sexual politics
patriarchy
title Metaphors and Metamorphosis:
title_full Metaphors and Metamorphosis:
title_fullStr Metaphors and Metamorphosis:
title_full_unstemmed Metaphors and Metamorphosis:
title_short Metaphors and Metamorphosis:
title_sort metaphors and metamorphosis
topic metaphors
metamorphosis
sexual politics
patriarchy
url https://journals.ulab.edu.bd/index.php/crossings/article/view/24
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