Kissing Dolores

In The Book of Dolores, a series of self-portraits in photography and drawings with accompanying text, William T. Vollmann pictures himself as a cross-dresser. He uses various techniques that emphasize the pictorial approach of photography, to create an uncanny icon of femininity. As an attempt to r...

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Main Author: Françoise Palleau-Papin
Format: Article
Language:deu
Published: Milano University Press 2019-07-01
Series:Enthymema
Subjects:
Online Access:https://riviste.unimi.it/index.php/enthymema/article/view/11923
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author Françoise Palleau-Papin
author_facet Françoise Palleau-Papin
author_sort Françoise Palleau-Papin
collection DOAJ
description In The Book of Dolores, a series of self-portraits in photography and drawings with accompanying text, William T. Vollmann pictures himself as a cross-dresser. He uses various techniques that emphasize the pictorial approach of photography, to create an uncanny icon of femininity. As an attempt to reach the other side, not just of gender, but of life, his negative prints in particular seem to reveal a ghostly presence. In TheBook of Dolores, una serie di autoritratti fotografici e disegnati e accompagnati da un testo scritto, William T. Vollmann si ritrae come un travestito. Utilizza diverse tecniche che enfatizzano l’approccio pittorialista alla fotografia per creare un’icona perturbante della femminilità. Tentativi di raggiungere l’altro lato, non solo del genere, ma anche della vita, i suoi negativi, in particolare, sembrano rivelare una presenza spettrale.
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spelling doaj.art-0c02c690289e4408bfd003f40bee73522024-04-03T00:27:07ZdeuMilano University PressEnthymema2037-24262019-07-01023738110.13130/2037-2426/1192310107Kissing DoloresFrançoise Palleau-PapinIn The Book of Dolores, a series of self-portraits in photography and drawings with accompanying text, William T. Vollmann pictures himself as a cross-dresser. He uses various techniques that emphasize the pictorial approach of photography, to create an uncanny icon of femininity. As an attempt to reach the other side, not just of gender, but of life, his negative prints in particular seem to reveal a ghostly presence. In TheBook of Dolores, una serie di autoritratti fotografici e disegnati e accompagnati da un testo scritto, William T. Vollmann si ritrae come un travestito. Utilizza diverse tecniche che enfatizzano l’approccio pittorialista alla fotografia per creare un’icona perturbante della femminilità. Tentativi di raggiungere l’altro lato, non solo del genere, ma anche della vita, i suoi negativi, in particolare, sembrano rivelare una presenza spettrale.https://riviste.unimi.it/index.php/enthymema/article/view/11923PhotographyDrawingSelf-portraitureCross-dressingPictorialismFotografiaDisegnoAutoritrattoTravestitismoPittorialismo
spellingShingle Françoise Palleau-Papin
Kissing Dolores
Enthymema
Photography
Drawing
Self-portraiture
Cross-dressing
Pictorialism
Fotografia
Disegno
Autoritratto
Travestitismo
Pittorialismo
title Kissing Dolores
title_full Kissing Dolores
title_fullStr Kissing Dolores
title_full_unstemmed Kissing Dolores
title_short Kissing Dolores
title_sort kissing dolores
topic Photography
Drawing
Self-portraiture
Cross-dressing
Pictorialism
Fotografia
Disegno
Autoritratto
Travestitismo
Pittorialismo
url https://riviste.unimi.it/index.php/enthymema/article/view/11923
work_keys_str_mv AT francoisepalleaupapin kissingdolores