Relation Towards Domestic Plays Through the Prism of Theatrological Experience Totality in Bosnia and Herzegovina

As M. Marković claims „there is dark over each of our histories, as well as over the cultural one“, the aim of this paper is: a) to show unexplored or forgotten facts related to the history of our plays, to prove that the history of plays in Bosnia and Herzegovina can be observed from the Medieval t...

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Main Author: Tina Laco
Format: Article
Language:Bosnian
Published: University of Tuzla, Faculty of Humanities and Social Sciences 2021-07-01
Series:Društvene i Humanističke Studije
Subjects:
Online Access:http://www.dhs.ff.untz.ba/index.php/home/article/view/550
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author Tina Laco
author_facet Tina Laco
author_sort Tina Laco
collection DOAJ
description As M. Marković claims „there is dark over each of our histories, as well as over the cultural one“, the aim of this paper is: a) to show unexplored or forgotten facts related to the history of our plays, to prove that the history of plays in Bosnia and Herzegovina can be observed from the Medieval times; b) to position and analyze Bosnian and Herzegovinian plays in a social, cultural and artistic context. Overviews of repertoires of professional theatrical institutions and audience habits, especially in the post-World War II period, can help in the understanding of the specific contemporary position of domestic plays on theatre stages in Bosnia and Herzegovina.
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spelling doaj.art-0c0f3989e5624a8b89afab619ee818242022-12-21T20:07:13ZbosUniversity of Tuzla, Faculty of Humanities and Social SciencesDruštvene i Humanističke Studije2490-36042490-36472021-07-0163(16)254210.51558/2490-3647.2021.6.3.25447Relation Towards Domestic Plays Through the Prism of Theatrological Experience Totality in Bosnia and HerzegovinaTina Laco0University of Mostar Faculty of PhilosophyAs M. Marković claims „there is dark over each of our histories, as well as over the cultural one“, the aim of this paper is: a) to show unexplored or forgotten facts related to the history of our plays, to prove that the history of plays in Bosnia and Herzegovina can be observed from the Medieval times; b) to position and analyze Bosnian and Herzegovinian plays in a social, cultural and artistic context. Overviews of repertoires of professional theatrical institutions and audience habits, especially in the post-World War II period, can help in the understanding of the specific contemporary position of domestic plays on theatre stages in Bosnia and Herzegovina.http://www.dhs.ff.untz.ba/index.php/home/article/view/550domestic playscontinuityaudiencequalitycrisisexperiment
spellingShingle Tina Laco
Relation Towards Domestic Plays Through the Prism of Theatrological Experience Totality in Bosnia and Herzegovina
Društvene i Humanističke Studije
domestic plays
continuity
audience
quality
crisis
experiment
title Relation Towards Domestic Plays Through the Prism of Theatrological Experience Totality in Bosnia and Herzegovina
title_full Relation Towards Domestic Plays Through the Prism of Theatrological Experience Totality in Bosnia and Herzegovina
title_fullStr Relation Towards Domestic Plays Through the Prism of Theatrological Experience Totality in Bosnia and Herzegovina
title_full_unstemmed Relation Towards Domestic Plays Through the Prism of Theatrological Experience Totality in Bosnia and Herzegovina
title_short Relation Towards Domestic Plays Through the Prism of Theatrological Experience Totality in Bosnia and Herzegovina
title_sort relation towards domestic plays through the prism of theatrological experience totality in bosnia and herzegovina
topic domestic plays
continuity
audience
quality
crisis
experiment
url http://www.dhs.ff.untz.ba/index.php/home/article/view/550
work_keys_str_mv AT tinalaco relationtowardsdomesticplaysthroughtheprismoftheatrologicalexperiencetotalityinbosniaandherzegovina