Woody Allen - Henrik Ibsen. Hedda and her sisters - on women and space

The purpose of this article is to relate Henrik Ibsen’s Hedda Gabler to Woody Allen’s Interiors with respect to their inquiry into women’s relation to power and art. Both artists are close watchers and profound analysts of women’s positions in times of transition, and both relate their themes to cla...

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Main Author: Astrid Sæther
Format: Article
Language:English
Published: Septentrio Academic Publishing 2015-02-01
Series:Nordlit: Tidsskrift i litteratur og kultur
Subjects:
Online Access:https://septentrio.uit.no/index.php/nordlit/article/view/3383
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author Astrid Sæther
author_facet Astrid Sæther
author_sort Astrid Sæther
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description The purpose of this article is to relate Henrik Ibsen’s Hedda Gabler to Woody Allen’s Interiors with respect to their inquiry into women’s relation to power and art. Both artists are close watchers and profound analysts of women’s positions in times of transition, and both relate their themes to class and gender. The subordination of women is apparent in the use of cinematic and theatrical space. In order to compare the screenplay and the drama text I have studied how the artists allow women to use space, building on C. Hermann’s theory (1976) about spatial systematization and hierarchization.
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spelling doaj.art-0ca2c34150c546d7a6b06b66d3d01bfb2024-02-02T05:40:03ZengSeptentrio Academic PublishingNordlit: Tidsskrift i litteratur og kultur0809-16681503-20862015-02-013410.7557/13.33833151Woody Allen - Henrik Ibsen. Hedda and her sisters - on women and spaceAstrid Sæther0Centre for Ibsen Studies, University of OsloThe purpose of this article is to relate Henrik Ibsen’s Hedda Gabler to Woody Allen’s Interiors with respect to their inquiry into women’s relation to power and art. Both artists are close watchers and profound analysts of women’s positions in times of transition, and both relate their themes to class and gender. The subordination of women is apparent in the use of cinematic and theatrical space. In order to compare the screenplay and the drama text I have studied how the artists allow women to use space, building on C. Hermann’s theory (1976) about spatial systematization and hierarchization.https://septentrio.uit.no/index.php/nordlit/article/view/3383Henrik IbsenWoody AllenFeminityGenderSpace.
spellingShingle Astrid Sæther
Woody Allen - Henrik Ibsen. Hedda and her sisters - on women and space
Nordlit: Tidsskrift i litteratur og kultur
Henrik Ibsen
Woody Allen
Feminity
Gender
Space.
title Woody Allen - Henrik Ibsen. Hedda and her sisters - on women and space
title_full Woody Allen - Henrik Ibsen. Hedda and her sisters - on women and space
title_fullStr Woody Allen - Henrik Ibsen. Hedda and her sisters - on women and space
title_full_unstemmed Woody Allen - Henrik Ibsen. Hedda and her sisters - on women and space
title_short Woody Allen - Henrik Ibsen. Hedda and her sisters - on women and space
title_sort woody allen henrik ibsen hedda and her sisters on women and space
topic Henrik Ibsen
Woody Allen
Feminity
Gender
Space.
url https://septentrio.uit.no/index.php/nordlit/article/view/3383
work_keys_str_mv AT astridsæther woodyallenhenrikibsenheddaandhersistersonwomenandspace