Parodia e intertextualidad en la trilogía amorosa de Enrique Jardiel Poncela

SourceURL:file://localhost/Users/mcugno/Desktop/RiCOGNIZIONI%20-%201,2014%20(def%204).docParody and intertextuality in Enrique Jardiel Poncela’s love trilogy. The article analyses Enrique Jardiel Poncela’s humorous trilogy (Amor se escribe sin hache, 1928, ¡Espérame en Siberia, vida mía!, 1929, Pero...

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Main Author: Barbara Greco
Format: Article
Language:deu
Published: Università degli Studi di Torino 2014-06-01
Series:RiCognizioni
Subjects:
Online Access:https://www.ojs.unito.it/index.php/ricognizioni/article/view/546
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author Barbara Greco
author_facet Barbara Greco
author_sort Barbara Greco
collection DOAJ
description SourceURL:file://localhost/Users/mcugno/Desktop/RiCOGNIZIONI%20-%201,2014%20(def%204).docParody and intertextuality in Enrique Jardiel Poncela’s love trilogy. The article analyses Enrique Jardiel Poncela’s humorous trilogy (Amor se escribe sin hache, 1928, ¡Espérame en Siberia, vida mía!, 1929, Pero…¿hubo alguna vez once mil vírgenes?, 1931) from the perspective of parody. It focuses on the technique of dehumanization in the caricatural characters and on the humoristic demystification of the literary clichés that characterize the erotic literature; moreover, it studies the intertextuality with the romantic genre  ̶ “hypogenre” – and in specific texts – “hypotexts” –. Through the use of Genette, Bachtin and Segre’s theories, it examines the parody phenomenon, according to its multiple manifestations in the trilogy. Finally, the article analyses the aphoristic language and the avant-gardist typographic experimentation as important elements of Jardiel’s parodical project.
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spelling doaj.art-0cff4e657c0a4f0f99bde841b1018f302022-12-21T20:15:42ZdeuUniversità degli Studi di TorinoRiCognizioni2384-89872014-06-011110.13135/2384-8987/546428Parodia e intertextualidad en la trilogía amorosa de Enrique Jardiel PoncelaBarbara Greco0Università degli Studi di TorinoSourceURL:file://localhost/Users/mcugno/Desktop/RiCOGNIZIONI%20-%201,2014%20(def%204).docParody and intertextuality in Enrique Jardiel Poncela’s love trilogy. The article analyses Enrique Jardiel Poncela’s humorous trilogy (Amor se escribe sin hache, 1928, ¡Espérame en Siberia, vida mía!, 1929, Pero…¿hubo alguna vez once mil vírgenes?, 1931) from the perspective of parody. It focuses on the technique of dehumanization in the caricatural characters and on the humoristic demystification of the literary clichés that characterize the erotic literature; moreover, it studies the intertextuality with the romantic genre  ̶ “hypogenre” – and in specific texts – “hypotexts” –. Through the use of Genette, Bachtin and Segre’s theories, it examines the parody phenomenon, according to its multiple manifestations in the trilogy. Finally, the article analyses the aphoristic language and the avant-gardist typographic experimentation as important elements of Jardiel’s parodical project.https://www.ojs.unito.it/index.php/ricognizioni/article/view/546Modern Spanish literatureparodyhumor
spellingShingle Barbara Greco
Parodia e intertextualidad en la trilogía amorosa de Enrique Jardiel Poncela
RiCognizioni
Modern Spanish literature
parody
humor
title Parodia e intertextualidad en la trilogía amorosa de Enrique Jardiel Poncela
title_full Parodia e intertextualidad en la trilogía amorosa de Enrique Jardiel Poncela
title_fullStr Parodia e intertextualidad en la trilogía amorosa de Enrique Jardiel Poncela
title_full_unstemmed Parodia e intertextualidad en la trilogía amorosa de Enrique Jardiel Poncela
title_short Parodia e intertextualidad en la trilogía amorosa de Enrique Jardiel Poncela
title_sort parodia e intertextualidad en la trilogia amorosa de enrique jardiel poncela
topic Modern Spanish literature
parody
humor
url https://www.ojs.unito.it/index.php/ricognizioni/article/view/546
work_keys_str_mv AT barbaragreco parodiaeintertextualidadenlatrilogiaamorosadeenriquejardielponcela