A sátira na poesia realista portuguesa

With the Odes Modernas (1865; 2.nd ed., revised and enlarged, 1875) by Antero de Quental and the Visão dos Tempos (1864) and Tempestades Sonoras (1864) by Teófilo Braga, the so-called Portuguese realist school was inaugurated. This was, in other words, the third period of Romanticism (of the social...

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Main Author: Carlos Nogueira
Format: Article
Language:Spanish
Published: Casa de Velázquez 2021-04-01
Series:Mélanges de la Casa de Velázquez
Subjects:
Online Access:http://journals.openedition.org/mcv/14291
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author Carlos Nogueira
author_facet Carlos Nogueira
author_sort Carlos Nogueira
collection DOAJ
description With the Odes Modernas (1865; 2.nd ed., revised and enlarged, 1875) by Antero de Quental and the Visão dos Tempos (1864) and Tempestades Sonoras (1864) by Teófilo Braga, the so-called Portuguese realist school was inaugurated. This was, in other words, the third period of Romanticism (of the social type, in the style of Hugo and Michelet), whose concept of poetry continued the enterprise of the first generation of Portuguese romantics. This concept involves the attribution to literature of a superior ethical, instructive and progressive function, and of a social, ideological, political and philosophical commitment. In this article I show how satirical poetry, or poetry with satirical tones, from some of the most important Portuguese poets of the mid-nineteenth century, pursues this goal of moralizing customs. I approach authors whose works, although well or reasonably well known, have been little studied in terms of satire, namely Antero de Quental, Guilherme de Azevedo, Bulhão Pato and João de Deus.
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spelling doaj.art-0d66818578d442ec877e508e4a79f30b2022-12-21T22:32:07ZspaCasa de VelázquezMélanges de la Casa de Velázquez0076-230X2173-13062021-04-0151122524410.4000/mcv.14291A sátira na poesia realista portuguesaCarlos NogueiraWith the Odes Modernas (1865; 2.nd ed., revised and enlarged, 1875) by Antero de Quental and the Visão dos Tempos (1864) and Tempestades Sonoras (1864) by Teófilo Braga, the so-called Portuguese realist school was inaugurated. This was, in other words, the third period of Romanticism (of the social type, in the style of Hugo and Michelet), whose concept of poetry continued the enterprise of the first generation of Portuguese romantics. This concept involves the attribution to literature of a superior ethical, instructive and progressive function, and of a social, ideological, political and philosophical commitment. In this article I show how satirical poetry, or poetry with satirical tones, from some of the most important Portuguese poets of the mid-nineteenth century, pursues this goal of moralizing customs. I approach authors whose works, although well or reasonably well known, have been little studied in terms of satire, namely Antero de Quental, Guilherme de Azevedo, Bulhão Pato and João de Deus.http://journals.openedition.org/mcv/14291Antero de QuentalBulhão PatoGuilherme de AzevedoJoão de DeusRealismPortuguese poetry
spellingShingle Carlos Nogueira
A sátira na poesia realista portuguesa
Mélanges de la Casa de Velázquez
Antero de Quental
Bulhão Pato
Guilherme de Azevedo
João de Deus
Realism
Portuguese poetry
title A sátira na poesia realista portuguesa
title_full A sátira na poesia realista portuguesa
title_fullStr A sátira na poesia realista portuguesa
title_full_unstemmed A sátira na poesia realista portuguesa
title_short A sátira na poesia realista portuguesa
title_sort satira na poesia realista portuguesa
topic Antero de Quental
Bulhão Pato
Guilherme de Azevedo
João de Deus
Realism
Portuguese poetry
url http://journals.openedition.org/mcv/14291
work_keys_str_mv AT carlosnogueira asatiranapoesiarealistaportuguesa
AT carlosnogueira satiranapoesiarealistaportuguesa