Choreographing Genre in Kill Bill Vol. 1 & 2 (Quentin Tarantino, 2003 & 2004)
The following analysis of the live action fight scenes in Kill Bill attempts to show that they play an integral part in terms of narrative, dramatic and metafictional intent, and ultimately to assess to what extent the treatment of profilmic and filmographic movement, and the lack thereof, reflect t...
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| Format: | Article |
| Language: | English |
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Université Toulouse - Jean Jaurès
2015-02-01
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| Series: | Miranda: Revue Pluridisciplinaire du Monde Anglophone |
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| Online Access: | http://journals.openedition.org/miranda/6285 |
| _version_ | 1819064849786732544 |
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| author | David Roche |
| author_facet | David Roche |
| author_sort | David Roche |
| collection | DOAJ |
| description | The following analysis of the live action fight scenes in Kill Bill attempts to show that they play an integral part in terms of narrative, dramatic and metafictional intent, and ultimately to assess to what extent the treatment of profilmic and filmographic movement, and the lack thereof, reflect the generic and cultural hybridity of two films that mix “American” and “East Asian” genres. |
| first_indexed | 2024-12-21T15:37:07Z |
| format | Article |
| id | doaj.art-0dca087faa73411d8cd248261bb8b6cd |
| institution | Directory Open Access Journal |
| issn | 2108-6559 |
| language | English |
| last_indexed | 2024-12-21T15:37:07Z |
| publishDate | 2015-02-01 |
| publisher | Université Toulouse - Jean Jaurès |
| record_format | Article |
| series | Miranda: Revue Pluridisciplinaire du Monde Anglophone |
| spelling | doaj.art-0dca087faa73411d8cd248261bb8b6cd2022-12-21T18:58:36ZengUniversité Toulouse - Jean JaurèsMiranda: Revue Pluridisciplinaire du Monde Anglophone2108-65592015-02-011010.4000/miranda.6285Choreographing Genre in Kill Bill Vol. 1 & 2 (Quentin Tarantino, 2003 & 2004)David RocheThe following analysis of the live action fight scenes in Kill Bill attempts to show that they play an integral part in terms of narrative, dramatic and metafictional intent, and ultimately to assess to what extent the treatment of profilmic and filmographic movement, and the lack thereof, reflect the generic and cultural hybridity of two films that mix “American” and “East Asian” genres.http://journals.openedition.org/miranda/6285fight choreographyfilm genrehybridityKill Billmartial arts filmmovement |
| spellingShingle | David Roche Choreographing Genre in Kill Bill Vol. 1 & 2 (Quentin Tarantino, 2003 & 2004) Miranda: Revue Pluridisciplinaire du Monde Anglophone fight choreography film genre hybridity Kill Bill martial arts film movement |
| title | Choreographing Genre in Kill Bill Vol. 1 & 2 (Quentin Tarantino, 2003 & 2004) |
| title_full | Choreographing Genre in Kill Bill Vol. 1 & 2 (Quentin Tarantino, 2003 & 2004) |
| title_fullStr | Choreographing Genre in Kill Bill Vol. 1 & 2 (Quentin Tarantino, 2003 & 2004) |
| title_full_unstemmed | Choreographing Genre in Kill Bill Vol. 1 & 2 (Quentin Tarantino, 2003 & 2004) |
| title_short | Choreographing Genre in Kill Bill Vol. 1 & 2 (Quentin Tarantino, 2003 & 2004) |
| title_sort | choreographing genre in kill bill vol 1 2 quentin tarantino 2003 2004 |
| topic | fight choreography film genre hybridity Kill Bill martial arts film movement |
| url | http://journals.openedition.org/miranda/6285 |
| work_keys_str_mv | AT davidroche choreographinggenreinkillbillvol12quentintarantino20032004 |