Choreographing Genre in Kill Bill Vol. 1 & 2 (Quentin Tarantino, 2003 & 2004)
The following analysis of the live action fight scenes in Kill Bill attempts to show that they play an integral part in terms of narrative, dramatic and metafictional intent, and ultimately to assess to what extent the treatment of profilmic and filmographic movement, and the lack thereof, reflect t...
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| Format: | Article |
| Language: | English |
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Université Toulouse - Jean Jaurès
2015-02-01
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| Series: | Miranda: Revue Pluridisciplinaire du Monde Anglophone |
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| Online Access: | http://journals.openedition.org/miranda/6285 |