Shifting paradigms Mexico in color: Ellen Auerbach’s exile photography
In 1955, Ellen Auerbach, a Weimarian advertising photographer of the Bauhaus circles, chose to document her trip to Mexico with her colleague Eliot Porter, using color photography for the first time in her career. This article seeks to contextualize, for the first time, Auerbach’s decision to...
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| Format: | Article |
| Language: | English |
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Milano University Press
2022-08-01
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| Series: | Itinera |
| Online Access: | https://riviste.unimi.it/index.php/itinera/article/view/18551 |
| _version_ | 1797758074867417088 |
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| author | Camilla Balbi |
| author_facet | Camilla Balbi |
| author_sort | Camilla Balbi |
| collection | DOAJ |
| description |
In 1955, Ellen Auerbach, a Weimarian advertising photographer of the Bauhaus circles, chose to document her trip to Mexico with her colleague Eliot Porter, using color photography for the first time in her career.
This article seeks to contextualize, for the first time, Auerbach’s decision to use color in her work – and within the history of modernism in general. In a discourse where exile studies interweave closely with art theory, I intend to trace the paths of a modernism that might have been, but that was erased by history and migration, demonstrating how the use of color in a non-Western exile context became a starting point for rethinking the aims and epistemic possibilities of the photographic medium within and beyond the modernist perspective.
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| first_indexed | 2024-03-12T18:24:44Z |
| format | Article |
| id | doaj.art-0de19114cd804d6297f5fbd4a443a7b9 |
| institution | Directory Open Access Journal |
| issn | 2039-9251 |
| language | English |
| last_indexed | 2024-03-12T18:24:44Z |
| publishDate | 2022-08-01 |
| publisher | Milano University Press |
| record_format | Article |
| series | Itinera |
| spelling | doaj.art-0de19114cd804d6297f5fbd4a443a7b92023-08-02T08:34:53ZengMilano University PressItinera2039-92512022-08-012310.54103/2039-9251/18551Shifting paradigms Mexico in color: Ellen Auerbach’s exile photographyCamilla Balbi0Università Iulm di Milano In 1955, Ellen Auerbach, a Weimarian advertising photographer of the Bauhaus circles, chose to document her trip to Mexico with her colleague Eliot Porter, using color photography for the first time in her career. This article seeks to contextualize, for the first time, Auerbach’s decision to use color in her work – and within the history of modernism in general. In a discourse where exile studies interweave closely with art theory, I intend to trace the paths of a modernism that might have been, but that was erased by history and migration, demonstrating how the use of color in a non-Western exile context became a starting point for rethinking the aims and epistemic possibilities of the photographic medium within and beyond the modernist perspective. https://riviste.unimi.it/index.php/itinera/article/view/18551 |
| spellingShingle | Camilla Balbi Shifting paradigms Mexico in color: Ellen Auerbach’s exile photography Itinera |
| title | Shifting paradigms Mexico in color: Ellen Auerbach’s exile photography |
| title_full | Shifting paradigms Mexico in color: Ellen Auerbach’s exile photography |
| title_fullStr | Shifting paradigms Mexico in color: Ellen Auerbach’s exile photography |
| title_full_unstemmed | Shifting paradigms Mexico in color: Ellen Auerbach’s exile photography |
| title_short | Shifting paradigms Mexico in color: Ellen Auerbach’s exile photography |
| title_sort | shifting paradigms mexico in color ellen auerbach s exile photography |
| url | https://riviste.unimi.it/index.php/itinera/article/view/18551 |
| work_keys_str_mv | AT camillabalbi shiftingparadigmsmexicoincolorellenauerbachsexilephotography |