La danza nel futurismo: la sensibilità corporea di Filippo Tommaso Marinetti
Critics have considered Filippo Tommaso Marinetti’s only point of contact with dance to be the manifesto La danza futurista (1917). However, I will show how his particularly acute physical sensibility laid the foundations for the creation of futuristic dance. In a reinterpretation of his manifestos,...
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| Format: | Article |
| Language: | Italian |
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University of Bologna
2015-03-01
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| Series: | Danza e Ricerca |
| Online Access: | http://danzaericerca.unibo.it/article/view/4989 |
| _version_ | 1819026552996757504 |
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| author | Sayaka Yokota |
| author_facet | Sayaka Yokota |
| author_sort | Sayaka Yokota |
| collection | DOAJ |
| description | Critics have considered Filippo Tommaso Marinetti’s only point of contact with dance to be the manifesto La danza futurista (1917). However, I will show how his particularly acute physical sensibility laid the foundations for the creation of futuristic dance. In a reinterpretation of his manifestos, I wish to highlight his perception of the body and invention of a new dance art. As a result, it becomes clear that, for Marinetti, dance was an expression of hope, joy, desire to break with the past and a longing to leap: dance as a prelude to flight. |
| first_indexed | 2024-12-21T05:28:24Z |
| format | Article |
| id | doaj.art-0df3d7982658488f9ad7d24946665de0 |
| institution | Directory Open Access Journal |
| issn | 2036-1599 |
| language | Italian |
| last_indexed | 2024-12-21T05:28:24Z |
| publishDate | 2015-03-01 |
| publisher | University of Bologna |
| record_format | Article |
| series | Danza e Ricerca |
| spelling | doaj.art-0df3d7982658488f9ad7d24946665de02022-12-21T19:14:37ZitaUniversity of BolognaDanza e Ricerca2036-15992015-03-01201561511594579La danza nel futurismo: la sensibilità corporea di Filippo Tommaso MarinettiSayaka Yokota0Università degli Studi Stranieri di TokyoCritics have considered Filippo Tommaso Marinetti’s only point of contact with dance to be the manifesto La danza futurista (1917). However, I will show how his particularly acute physical sensibility laid the foundations for the creation of futuristic dance. In a reinterpretation of his manifestos, I wish to highlight his perception of the body and invention of a new dance art. As a result, it becomes clear that, for Marinetti, dance was an expression of hope, joy, desire to break with the past and a longing to leap: dance as a prelude to flight.http://danzaericerca.unibo.it/article/view/4989 |
| spellingShingle | Sayaka Yokota La danza nel futurismo: la sensibilità corporea di Filippo Tommaso Marinetti Danza e Ricerca |
| title | La danza nel futurismo: la sensibilità corporea di Filippo Tommaso Marinetti |
| title_full | La danza nel futurismo: la sensibilità corporea di Filippo Tommaso Marinetti |
| title_fullStr | La danza nel futurismo: la sensibilità corporea di Filippo Tommaso Marinetti |
| title_full_unstemmed | La danza nel futurismo: la sensibilità corporea di Filippo Tommaso Marinetti |
| title_short | La danza nel futurismo: la sensibilità corporea di Filippo Tommaso Marinetti |
| title_sort | la danza nel futurismo la sensibilita corporea di filippo tommaso marinetti |
| url | http://danzaericerca.unibo.it/article/view/4989 |
| work_keys_str_mv | AT sayakayokota ladanzanelfuturismolasensibilitacorporeadifilippotommasomarinetti |