War and memory: Nono, Penderecki, Britten
This essay aims to approach how classical music has responded to the impact of World War II. We will study three pieces of work produced shortly after the event itself, but whose authors space and aesthetics are far removed: Luigi Nono’s Il canto sospeso (1955-56), Krzysztof Penderecki’s Threnody fo...
| Main Author: | |
|---|---|
| Format: | Article |
| Language: | Catalan |
| Published: |
Universidad Complutense de Madrid
2017-05-01
|
| Series: | Revista de Filología Románica |
| Subjects: | |
| Online Access: | http://revistas.ucm.es/index.php/RFRM/article/view/55874 |
| _version_ | 1818778086245662720 |
|---|---|
| author | Manuel Pacheco Sánchez |
| author_facet | Manuel Pacheco Sánchez |
| author_sort | Manuel Pacheco Sánchez |
| collection | DOAJ |
| description | This essay aims to approach how classical music has responded to the impact of World War II. We will study three pieces of work produced shortly after the event itself, but whose authors space and aesthetics are far removed: Luigi Nono’s Il canto sospeso (1955-56), Krzysztof Penderecki’s Threnody for the Victims of Hiroshima (1959), and Benjamin Britten’s War Requiem (1961-62), which we will approach from the perspective of memory, the relationship between text and music, and its musical parameters. |
| first_indexed | 2024-12-18T11:39:08Z |
| format | Article |
| id | doaj.art-0e4627d7fc044013a2e9a3ff71d2a206 |
| institution | Directory Open Access Journal |
| issn | 0212-999X 1988-2815 |
| language | Catalan |
| last_indexed | 2024-12-18T11:39:08Z |
| publishDate | 2017-05-01 |
| publisher | Universidad Complutense de Madrid |
| record_format | Article |
| series | Revista de Filología Románica |
| spelling | doaj.art-0e4627d7fc044013a2e9a3ff71d2a2062022-12-21T21:09:26ZcatUniversidad Complutense de MadridRevista de Filología Románica0212-999X1988-28152017-05-0133021922610.5209/RFRM.5587451798War and memory: Nono, Penderecki, BrittenManuel Pacheco Sánchez0Facultad de Filología Universidad complutense de MadridThis essay aims to approach how classical music has responded to the impact of World War II. We will study three pieces of work produced shortly after the event itself, but whose authors space and aesthetics are far removed: Luigi Nono’s Il canto sospeso (1955-56), Krzysztof Penderecki’s Threnody for the Victims of Hiroshima (1959), and Benjamin Britten’s War Requiem (1961-62), which we will approach from the perspective of memory, the relationship between text and music, and its musical parameters.http://revistas.ucm.es/index.php/RFRM/article/view/55874memoria, música, Segunda Guerra Mundial. |
| spellingShingle | Manuel Pacheco Sánchez War and memory: Nono, Penderecki, Britten Revista de Filología Románica memoria, música, Segunda Guerra Mundial. |
| title | War and memory: Nono, Penderecki, Britten |
| title_full | War and memory: Nono, Penderecki, Britten |
| title_fullStr | War and memory: Nono, Penderecki, Britten |
| title_full_unstemmed | War and memory: Nono, Penderecki, Britten |
| title_short | War and memory: Nono, Penderecki, Britten |
| title_sort | war and memory nono penderecki britten |
| topic | memoria, música, Segunda Guerra Mundial. |
| url | http://revistas.ucm.es/index.php/RFRM/article/view/55874 |
| work_keys_str_mv | AT manuelpachecosanchez warandmemorynonopendereckibritten |