Doppia memoria e regimi temporali ne La Passeggera di Andrzej Munk
This essay will analyze the relationship between the cinematic representation of memory and the photographic steadiness of the present, staged in the film The Passenger (Pasażerka, 1963, Andrzej Munk). Moving both from a textual and a contextual point of view, this article will focus on the posthumo...
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| Format: | Article |
| Language: | English |
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University of Bologna
2015-11-01
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| Series: | Cinergie |
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| Online Access: | https://cinergie.unibo.it/article/view/6905 |