Des reines violentes
In 17th-century France, the warlike dimension of violence became one of the fundamental iconographic attributes of royalty. Although at the outset they were excluded from managing affairs of state on account of Salic law, the queens Marie de’ Medici and Anne of Austria nonetheless sought to wear the...
| Main Author: | |
|---|---|
| Format: | Article |
| Language: | fra |
| Published: |
École du Louvre
2020-11-01
|
| Series: | Les Cahiers de l'École du Louvre |
| Subjects: | |
| Online Access: | http://journals.openedition.org/cel/9736 |
| _version_ | 1818387356484370432 |
|---|---|
| author | Damien Bril |
| author_facet | Damien Bril |
| author_sort | Damien Bril |
| collection | DOAJ |
| description | In 17th-century France, the warlike dimension of violence became one of the fundamental iconographic attributes of royalty. Although at the outset they were excluded from managing affairs of state on account of Salic law, the queens Marie de’ Medici and Anne of Austria nonetheless sought to wear the costume of the chief of command in their portraits, in particular when they were placed at the head of the government in the position of regent. To achieve this, however, they did not employ a single formula but each developed personal strategies that varied in their means, objectives and results, borrowing in turn from mythological portraiture and historical representation to define their role in the management of conflicts, and ultimately of royal power. |
| first_indexed | 2024-12-14T04:08:39Z |
| format | Article |
| id | doaj.art-0eb860ce8cd3442b86c7465a12099d7c |
| institution | Directory Open Access Journal |
| issn | 2262-208X |
| language | fra |
| last_indexed | 2024-12-14T04:08:39Z |
| publishDate | 2020-11-01 |
| publisher | École du Louvre |
| record_format | Article |
| series | Les Cahiers de l'École du Louvre |
| spelling | doaj.art-0eb860ce8cd3442b86c7465a12099d7c2022-12-21T23:17:45ZfraÉcole du LouvreLes Cahiers de l'École du Louvre2262-208X2020-11-011510.4000/cel.9736Des reines violentesDamien BrilIn 17th-century France, the warlike dimension of violence became one of the fundamental iconographic attributes of royalty. Although at the outset they were excluded from managing affairs of state on account of Salic law, the queens Marie de’ Medici and Anne of Austria nonetheless sought to wear the costume of the chief of command in their portraits, in particular when they were placed at the head of the government in the position of regent. To achieve this, however, they did not employ a single formula but each developed personal strategies that varied in their means, objectives and results, borrowing in turn from mythological portraiture and historical representation to define their role in the management of conflicts, and ultimately of royal power.http://journals.openedition.org/cel/9736Portraiture of powergender and powerroyal iconographyqueenFrance17th century |
| spellingShingle | Damien Bril Des reines violentes Les Cahiers de l'École du Louvre Portraiture of power gender and power royal iconography queen France 17th century |
| title | Des reines violentes |
| title_full | Des reines violentes |
| title_fullStr | Des reines violentes |
| title_full_unstemmed | Des reines violentes |
| title_short | Des reines violentes |
| title_sort | des reines violentes |
| topic | Portraiture of power gender and power royal iconography queen France 17th century |
| url | http://journals.openedition.org/cel/9736 |
| work_keys_str_mv | AT damienbril desreinesviolentes |