The Early Reception of Georg Brandes in Germany and France. A Comparative Study

The publication of Emigrant Literature, the first volume of Main Currents in Nineteenth Century Literature (1872–1890), constituted Georg Brandes’ breakthrough work and the beginning of his career as a European literary critic. However, the work was very differently received in the two major litera...

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Main Author: Torben Jelsbak
Format: Article
Language:ces
Published: Karolinum Press 2023-05-01
Series:Acta Universitatis Carolinae: Philologica
Online Access:http://www.karolinum.cz/doi/10.14712/24646830.2023.13
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author Torben Jelsbak
author_facet Torben Jelsbak
author_sort Torben Jelsbak
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description The publication of Emigrant Literature, the first volume of Main Currents in Nineteenth Century Literature (1872–1890), constituted Georg Brandes’ breakthrough work and the beginning of his career as a European literary critic. However, the work was very differently received in the two major literary cultures of the time, Germany and France. In the German press, Brandes was saluted as a cultural reformer and icebreaker of literary modernity, “a good European and cultural missionary”, as Friedrich Nietzsche called him in a letter from 1887, whereas French critics reacted with much greater skepticism to Brandes’ work. This situation was especially annoying to Brandes as he regarded French literary and intellectual culture as superior to any other culture of the world and more than anything else he longed for recognition from the French literati. The uneven distribution of critical acclaim was a paradox that also affected Brandes’ self-understanding and position as a lcritic. The following article will examine this tension by providing a comparative study of the reception of Emigrant Literature in Germany and France from 1872 to 1893.
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spelling doaj.art-0efdafad537f4eab97a5e4d228a62dec2023-05-26T08:29:21ZcesKarolinum PressActa Universitatis Carolinae: Philologica0567-82692464-68302023-05-0120231435210.14712/24646830.2023.13The Early Reception of Georg Brandes in Germany and France. A Comparative StudyTorben JelsbakThe publication of Emigrant Literature, the first volume of Main Currents in Nineteenth Century Literature (1872–1890), constituted Georg Brandes’ breakthrough work and the beginning of his career as a European literary critic. However, the work was very differently received in the two major literary cultures of the time, Germany and France. In the German press, Brandes was saluted as a cultural reformer and icebreaker of literary modernity, “a good European and cultural missionary”, as Friedrich Nietzsche called him in a letter from 1887, whereas French critics reacted with much greater skepticism to Brandes’ work. This situation was especially annoying to Brandes as he regarded French literary and intellectual culture as superior to any other culture of the world and more than anything else he longed for recognition from the French literati. The uneven distribution of critical acclaim was a paradox that also affected Brandes’ self-understanding and position as a lcritic. The following article will examine this tension by providing a comparative study of the reception of Emigrant Literature in Germany and France from 1872 to 1893.http://www.karolinum.cz/doi/10.14712/24646830.2023.13
spellingShingle Torben Jelsbak
The Early Reception of Georg Brandes in Germany and France. A Comparative Study
Acta Universitatis Carolinae: Philologica
title The Early Reception of Georg Brandes in Germany and France. A Comparative Study
title_full The Early Reception of Georg Brandes in Germany and France. A Comparative Study
title_fullStr The Early Reception of Georg Brandes in Germany and France. A Comparative Study
title_full_unstemmed The Early Reception of Georg Brandes in Germany and France. A Comparative Study
title_short The Early Reception of Georg Brandes in Germany and France. A Comparative Study
title_sort early reception of georg brandes in germany and france a comparative study
url http://www.karolinum.cz/doi/10.14712/24646830.2023.13
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