Il dissenso cantato in Unione Sovietica (1950-1991)
Since the end of the 1950s, the circulation of unauthorised sound material in the Soviet Union, a phenomenon which is called ‘magnitizdat’, has been increasing rapidly. The article investigates a number of issues related to this parallel dimension of official culture, such as the differences and sim...
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| Format: | Article |
| Language: | English |
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UNICApress
2020-05-01
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| Series: | Between |
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| Online Access: | https://ojs.unica.it/index.php/between/article/view/4028 |
| _version_ | 1797763613980622848 |
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| author | Giulia De Florio |
| author_facet | Giulia De Florio |
| author_sort | Giulia De Florio |
| collection | DOAJ |
| description | Since the end of the 1950s, the circulation of unauthorised sound material in the Soviet Union, a phenomenon which is called ‘magnitizdat’, has been increasing rapidly. The article investigates a number of issues related to this parallel dimension of official culture, such as the differences and similarities with the better known ‘samizdat’, from which the name originates; the role of the song as a form of dissent; the importance of the means of dissemination and the role of collectors; the relationship of the new song with official music and mass culture. The aim is to offer a precise definition of such “synthetic creation”, bringing its meaning to the forefront of Soviet society in the second half of the 20th century. |
| first_indexed | 2024-03-12T19:43:55Z |
| format | Article |
| id | doaj.art-0f2637aaf319419580c128a36bff247f |
| institution | Directory Open Access Journal |
| issn | 2039-6597 |
| language | English |
| last_indexed | 2024-03-12T19:43:55Z |
| publishDate | 2020-05-01 |
| publisher | UNICApress |
| record_format | Article |
| series | Between |
| spelling | doaj.art-0f2637aaf319419580c128a36bff247f2023-08-02T03:36:26ZengUNICApressBetween2039-65972020-05-01101910.13125/2039-6597/40282881Il dissenso cantato in Unione Sovietica (1950-1991)Giulia De Florio0Università degli studi di Modena e Reggio EmiliaSince the end of the 1950s, the circulation of unauthorised sound material in the Soviet Union, a phenomenon which is called ‘magnitizdat’, has been increasing rapidly. The article investigates a number of issues related to this parallel dimension of official culture, such as the differences and similarities with the better known ‘samizdat’, from which the name originates; the role of the song as a form of dissent; the importance of the means of dissemination and the role of collectors; the relationship of the new song with official music and mass culture. The aim is to offer a precise definition of such “synthetic creation”, bringing its meaning to the forefront of Soviet society in the second half of the 20th century.https://ojs.unica.it/index.php/between/article/view/4028‘Magnitizdat’Sung poetrySound dissent‘Samodejatel’naja pesnja’‘Avtorskaja pesnja’ |
| spellingShingle | Giulia De Florio Il dissenso cantato in Unione Sovietica (1950-1991) Between ‘Magnitizdat’ Sung poetry Sound dissent ‘Samodejatel’naja pesnja’ ‘Avtorskaja pesnja’ |
| title | Il dissenso cantato in Unione Sovietica (1950-1991) |
| title_full | Il dissenso cantato in Unione Sovietica (1950-1991) |
| title_fullStr | Il dissenso cantato in Unione Sovietica (1950-1991) |
| title_full_unstemmed | Il dissenso cantato in Unione Sovietica (1950-1991) |
| title_short | Il dissenso cantato in Unione Sovietica (1950-1991) |
| title_sort | il dissenso cantato in unione sovietica 1950 1991 |
| topic | ‘Magnitizdat’ Sung poetry Sound dissent ‘Samodejatel’naja pesnja’ ‘Avtorskaja pesnja’ |
| url | https://ojs.unica.it/index.php/between/article/view/4028 |
| work_keys_str_mv | AT giuliadeflorio ildissensocantatoinunionesovietica19501991 |